We try to make our way quietly through the building – and aren’t very successful.
Read moreLet’s Play Gears 5: Part 31 – Sneaky


We save a scavenger convoy and make our way to the launch site.
Read moreWhen a creator revisits an old creation, it can be interesting from a reader’s perspective, as we see how changes with time influence that work, whether it’s the Eva Rebuild movies, or Chris Clairmont returning to the X-Men, Timothy Zahn returning to Star Wars, or what have you. With the revival of Genshiken – Genshiken Second Season – the manga elects not to pick up right where the old manga did, and instead skips forward, to a new generation of otaku and a look at how fandom has changed with time, with some interesting results.
Read moreWhen it comes to concepts related to fanservice in anime, there are some that are very hard to do well. One of them, probably the biggest one of them, is what I call “Sexual Slapstick.” It’s someone walking into a room and seeing someone undressing, or tripping and falling and copping a feel (or seeing something they shouldn’t. They’re all based around acts that are gross, which means it can be hard to make funny. Season one of We Never Learn did it and What the Hell Are You Doing Here, Teacher? also manages to actually pull it off.
Read moreThis past year or so we had a fair number of anime series paying tribute to classic Tokusatsu series from Tsuburya Productions. The most high profile of these was S.S.S.S. Gridman, with Netflix’s Ultraman Season 1 (adapting the manga) coming out earlier, and flying under the radar. There are a few reasons for that – Gridman had Trigger’s rep going for it, instead of being a totally CG anime series, and was released in English in a more conventional manner instead of the Netflix binge model. As far as how much each of those contributed – well, I can’t get into specifics without delving into Steiner Math (which I flunked in college). That said, the show is still fun, and worth your time.
Read moreSo, at last I’ve now gotten caught up on Hayate the Combat Butler – at least the official English release of the manga, so I might as well get through these last 5 volumes at one big whack!
Read moreIn the wake of recent changes in Portland, and having gone to a couple more conventions, I figure I’m about due for a new Con Survival Video.
Read moreThe Electric State is very much a different book from Tales from the Loop and Things from the Flood. Those books had a retrospective narrative – the point of view for those books was from the viewpoint of someone looking back on events with a sense of nostalgia. The Electric State, on the other hand, has a more conventional narrative, while still having significant themes of memory, but definitely without the warmth of nostalgia.
Read moreA while back, on the internet, I stumbled across the work of artist Simon Stålenhag, in what was part of the Tales From The Loop project – though I did not know what it was at that time. So, when the art was collected into a series of books with a narrative behind them – along with a tabletop RPG, I figure it was time to properly check it out.
Read moreThe last Lucio Fulci film I watched was The Black Cat, and while it was a pretty decent horror film, I will say it didn’t quite get into Fulci’s reputation as an extreme gorehound. The Beyond, part of his “Gates of Hell trilogy” and one of the films to make the Video Nasties, on the other hand, definitely fits that criteria.
Read moreHorror films about vampires in the present day are kind of interesting to me. We live in a time where the concepts of how vampires “work” are common knowledge enough that on the one hand, you don’t need to explain the concepts to an audience. That said, we also are in a world of skepticism, so characters generally shouldn’t buy into the idea of vampires being real at first glance either. Count Yorga, Vampire is probably one of the earlier films I’ve seen that takes on this concept, even pre-dating Hammer’s attempts at the concept.
Read moreThis weekend I am going to be attending Kumoricon 2019, so I’m going to be a little laid back on the Let’s Plays for this weekend, both in terms of streaming and in terms of video uploading. So I’m doing a blog post today with something of the panels that I have of interest. If you’re going and there’s a panel you’re interested in checking out, or if you’re reading this after the convention and there’s a panel you really liked, go ahead and post that in the comments! Panel descriptions can be found in the Kumoricon Program book, at the events page.
Read moreWe deliver the Beacon to Baird and protect his Bird from attack. Maybe I should have given this episode a title starting with “B”.
Read moreWe finish up with Jabba with an anthology collection focused on the members of Jabba’s court.
Read moreWe finish helping with the Nomad’s water problem.
Read moreWe stop the Centrifuge and get the beacons, and now have to make our way out.
Read moreA while back I reviewed the anime adaptation of the manga Today’s Menu for the Emiya Family. At that time the video review went out, the first volume of the manga had come out, and I’d read it and enjoyed it, and since then two more volumes of the manga have come out since then, so it’s time to give this a proper review.
Read moreThe squad makes their way to the Cosmodrome Centrifuge and the beacons.
Read moreWe make our way to the water tower to start that sidequest chain.
Read moreI went to Portland Retro Gaming Expo this year, and give my thoughts on the event.
Read moreWe start Act 3 and get a new upgrade for Jack.
Read moreThis episode we have the second half of our attempts at the Matriarch Boss fight.
Read moreI haven’t watched a lot of “Kids on Bikes” movies and fiction – I’ve seen ET, Explorers, and The Goonies, and as of this writing am currently in the middle of reading IT (which is something of a Kids on Bikes story for the flashback sequences) but I haven’t seen or read any of the other works that really feed into subsequent works like Stranger Things. I haven’t seen Monster Squad, and until recently, I hadn’t seen The Gate – a lesser-known work in the genre that I hadn’t heard about until Giant Bomb did a “Film and 40s” commentary for it with the Giant Beast crew. Well, this oversight has, at long last, been rectified.
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