It felt, for a bit, like Steampunk was getting out of vogue. However, with this year’s Video Game Awards, along with a few other places, we started getting hints of Steampunk coming back to the market. However, even before this, there was a sense that much of what was marketed as steampunk was stuff that was less “punk” and more just Victorian-inspired Pulp Sci-Fi, or as the Foglios refer to their webcomic Girl Genius – “Gaslamp Fantasy”. Works that circumvented the social and political ills of the Victorian Period – not necessarily pretending they didn’t exist, but creating worlds where they could have adventures inspired by Wells, Verne, and Haggard, but without the racism, classism, and imperialism. Princess Principal, on the other hand, feels like a Steampunk Ghost in the Shell – a series that engages with the trappings of its setting and does not paint over the cracks and warts, but instead calls attention to them and works with them.