Excerpt from the art of The Electric State.

The Electric State is very much a different book from Tales from the Loop and Things from the Flood. Those books had a retrospective narrative – the point of view for those books was from the viewpoint of someone looking back on events with a sense of nostalgia. The Electric State, on the other hand, has a more conventional narrative, while still having significant themes of memory, but definitely without the warmth of nostalgia.

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Movie poster for Count Yorga, Vampire

Horror films about vampires in the present day are kind of interesting to me. We live in a time where the concepts of how vampires “work” are common knowledge enough that on the one hand, you don’t need to explain the concepts to an audience. That said, we also are in a world of skepticism, so characters generally shouldn’t buy into the idea of vampires being real at first glance either. Count Yorga, Vampire is probably one of the earlier films I’ve seen that takes on this concept, even pre-dating Hammer’s attempts at the concept.

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Kumoricon 2019 Mascot and Dates

This weekend I am going to be attending Kumoricon 2019, so I’m going to be a little laid back on the Let’s Plays for this weekend, both in terms of streaming and in terms of video uploading. So I’m doing a blog post today with something of the panels that I have of interest. If you’re going and there’s a panel you’re interested in checking out, or if you’re reading this after the convention and there’s a panel you really liked, go ahead and post that in the comments! Panel descriptions can be found in the Kumoricon Program book, at the events page.

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I haven’t watched a lot of “Kids on Bikes” movies and fiction – I’ve seen ET, Explorers, and The Goonies, and as of this writing am currently in the middle of reading IT (which is something of a Kids on Bikes story for the flashback sequences) but I haven’t seen or read any of the other works that really feed into subsequent works like Stranger Things. I haven’t seen Monster Squad, and until recently, I hadn’t seen The Gate – a lesser-known work in the genre that I hadn’t heard about until Giant Bomb did a “Film and 40s” commentary for it with the Giant Beast crew. Well, this oversight has, at long last, been rectified.

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From left, Lila and Lemora

Lemora: A Child’s Tale of the Supernatural is a vampire film that’s been on my watch list for a while. I’ve seen it praised for its theme and tone, but due to the film’s cast and how relatively unknown the director was – and it’s limited DVD release – never really bumped it up my list. Why do a little known vampire film from a director known more for co-writing Eating Raoul than anything else, and starring an actress known for myriad sexploitation films over, say, a film by Amicus? On a whim, I bumped this to the top of my DVD Netflix Queue and gave it a try – and it wasn’t exactly worth the wait.

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