Almost 20 years after Dario Argento released the middle installment of his “Three Mothers Trilogy” he made the final installment of the series – Mother of Tears. As with most series that take this long between installments, there is a sense that what you’ll get with the final installment can never live up to what expectations you’ve set for it. However, even then, Mother of Tears is particularly disappointing. Read more
One of the interesting things I like about the boom of interest in Exploitation film after Grindhouse, along with the rise of DVDs as a media format is the rise of the Trailer DVD – a DVD chock full of trailers for various exploitation films from the 1950s, ’60s, and ’70s. They make for a great snapshot of a moment in time, showcasing both how films were sold (and what you could get away with in trailers), along with the movies being sold. Read more
The macabre house hunting expedition continues with an Amicus Anthology film featuring Donald Sutherland, Peter Cushing, and Christopher Lee. Read more
“Blacksploitation”, is something I’d describe more as a cinematic movement more than a genre. This is because it spans just so many genres of cinema – action films, gangster movies, science fiction films, and horror movies – and sometimes even multiples at the same time. Such is the case with Sugar Hill. Read more
One of the issues with modern horror films, particularly those with a human antagonist, is the filmmakers feel the need to give a grounding to their villain’s methods that they feel believable, and they have the same need to make the protagonists just unlikeable enough that when bad things happen to them, things don’t feel overly cruel. The problem is that when this goes wrong it comes across to a degree like victim-blaming – and leads to a toxic message like the one put forward in your standard ’80s slasher film. Don’t Breathe manages to avoid that – barely. This review will contain a few spoilers. Read more
Suspiria was what I’d describe as one of the best films Dario Argento ever made, with a tremendous visual esthetic, particularly through the use of color in the film, combined with the excellent score by Goblin. So, it’s not surprising that Dario made a semi-spiritual sequel. The second film, Inferno, introduced the thematic series that Argento named “The Three Mothers” trilogy, with the films based around three witches drawn from Thomas De Quincey’s Suspiria de Profundis. Inferno aims to basically be “like Suspiria but more so,” but it doesn’t quite work. Read more
When it comes to giallo, the work of Dario Argento is something of a gap in my knowledge, which is a shame since he, like Bava and Fulci, are legends of the genre. Indeed, Argento probably had the greatest mainstream penetration of any work of Italian horror, through this work – Suspiria.
I start off my October House of Horrors with a look at Roger Corman’s adaptation of Edgar Allen Poe’s classic “The Fall of the House of Usher” Read more
Krull feels like a film that is trying to cash in on a variety of trends. It’s a fantasy film like Conan. It’s a grand heroic epic like Star Wars, but it doesn’t quite pull all of them off. However, Krull has its strengths that make it worth watching. Read more
This week I’m covering the last Hayate series to date, with Hayate the Combat Butler: Cuties. Read more
Girls Und Panzer (which I reviewed at Bureau42, not here), was a show that I absolutely loved. It had a sports anime plot for a sport that didn’t exist in the real world, Sensha-do, the art of Tankery: the art of crewing and maintaining a tank, and succeeding in combat using that tank – though Sensha-Do competitions are not to the death. Read more
This month I’m wrapping up a few loose ends, as I review the two Hayate TV series I hadn’t previously reviewed. First off is Hayate the Combat Butler: Can’t Take My Eyes Off You! Read more
One of my favorite works of anime fantasy is Record of Lodoss War. It’s a show that I try to watch at least once a year, and due to my appreciation of that, I’ve sought out the various works by its creator, Ryo Mizuno, which have gotten a US release, from the Lodoss series onwards. In any case, when Record of Grancrest War was announced, and that even more it was related to a tabletop RPG that Mizuno had created, I was definitely onboard to check this out.
The Roman-Period Epic was something of a staple of cinema in the 1950s and ’60s, and one of the films of that genre that tanked the hardest was The Fall of the Roman Empire from 1964, which is a bummer because it’s really not that bad. Read more
The movie Night of the Lepus is a something of a joke in horror movie circles. While that is somewhat deserved, those reasons strictly lie with the film’s budget and some of the film’s effects. The rest of the film is put together incredibly well. Read more
When it comes to bad action movies, there are some names in action films that can be reasonably taken as a warning sign that the film you are approaching is a stinkburger. Frank Stallone is one of those names. Frank Stallone started his career as a musician and composer and has had a reasonably successful career at that. However, as his older brother Sylvester became one of the action juggernauts of the 1980s and ’90s, Frank kept also getting action movie roles, presumably on the basis that he looks enough like Sly, that if you put “Stallone” in large enough letters on the poster, people won’t look closer and recognize that it’s actually Frank. Read more
Akiba’s Trip: Undead and Undressed was an interesting RPG & brawler with something of a novel concept – that it was set in a re-creation of Akihabara with a level of detail that was just short of being on par with the level of detail that the Yakuza series puts into not-Kabuki-cho – by which I mean that there were some loading screens dividing up areas of the game, not much in terms of real-world alcohol to drink (because your protagonist is underage), and sadly no playable arcade games. Read more
Live music is theater. Yes, live music is often seen in a theater, but they the act of performing music publically is, in some manner or another, theatrical. It’s a performance that seeks to tell a story or convey an emotion through music. Some genres of music try to lean away from this, like folk or punk (though arguably punk leans so far away from theatricality that it ends up accidentally leaning into theatricality). Others, like metal, prog, and some parts of pop lean into it, either through telling a deliberate story or through the presentation. Stop Making Sense definitely fits into the latter category. Read more
Well, after Avengers: Infinity War, there was some room for a lighter palate cleanser. Ant-Man and The Wasp is a film that intends to be something along those lines, and it generally succeeds. There will be some spoilers, as this review is coming out Early August after the film has been out for a while. Read more
So one of the things I did not know until recently is that A-1 Pictures is one of the anime studios that has benefited from the exodus from former Anime industry titan GAINAX (in addition to other studios like Trigger and Khara popping up in the wake of this as well). Consequently, a lot of discussions I encountered on the lead up to the anime series Darling in the FranXX started out as a discussion of the series as a Trigger joint, before moving on to talking about it as a sort of GAINAX reunion. I’d consider that analogy not that far off. The series feels something like the Anime equivalent of the Led Zeppelin reunion concert – the band getting back together to revisit their old hits (in this analogy, the newer staffers from A-1 Pictures and Trigger would represent Jason Bonham). Read more
Stray Dog is one of the earlier film noir styled films from Akira Kurosawa. It’s an interesting example of the genre, and it also makes for an interesting snapshot of post-war Japan. The premise has Toshiro Mifune playing a rookie homicide op whose weapon is stolen by a pickpocket while on the bus. The detective ends up being partnered with a veteran detective as they make their way through Tokyo’s underworld to find the gun. Read more
I never really watched many western films with plots based around Native Americans when I was a kid. Not even The Searchers. I kinda knew, at a fundamental level, that most of those films had something of a simmering undercurrent of racism that would leave a bad taste in my mouth. Even after I got older, and started hearing people talking about The Searchers in particular as one of the best Westerns, if not one of the best films of all time, I couldn’t quite quell those lingering doubts. However, after much deliberation, this year I decided to get around to watching this movie. Read more
It is important to say this out of the gate, even more so than with Fate/Apocrypha – this is a film for people who have been watching Fate/Stay Night from the beginning. This, to a large degree, has to do with the structure of the original game. Heaven’s Feel is the third route of the game, played after (in order) the Fate and Unlimited Blade Works routes. Consequently, the story of the route has a lot less focus on explaining the Holy Grail War, Servants, or mages, because you’ve played through the game twice already. Read more
This time I’m reviewing one of the films that got me into anime.
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