Anime Review: Fate/Zero (Seasons 1 & 2)

Gen Urobuchi has gotten a tremendous reputation as a writer of animation, particularly through his deconstruction of the magical girl genre with Puella Magi Madoka Magica. In 2011, he did something slightly different, by doing a novel prequel to the hit visual novel Fate/Stay Night, covering the events of the previous Holy Grail War, which set the events of the original game and anime in motion. The show shifted animation studios from Deen, to Ufotable, who had only a handful of shows under their name at that time – though the animators had years of experience from TMS. Read more

Anime Review: Slayers Season 4 (Revolution/Evolution-R)

2015’s revival of Ushio and Tora by Studio MAPPA is not the first revival of an older anime and manga series in the 21st century. In 2008, JC Staff revived the classic fantasy anime series Slayers, with a fourth season after an almost decade gap. The series was was released as a split-cour show, with the first 12-episode cour being subtitled “Revolution”, and the second “Evolution-R”. When the show originally was announced, the big question that fans had was would this show come back with a Dragon Slave sized blast, or would it fizzle like a wet firework? Read more

Film Review: Ghostbusters (2016)

The 2016 Ghostbusters film ended up being a hurricane of controversy – depending on where you were on the internet, if you liked the film you were a horrible SJW out to shove your political correct values down everyone’s throat. However, once the film came out, the ultimate verdict on the film pretty much ran the gamut – that you either loved it, hated it, or thought it was decent, but not worth seeing in theaters, with perhaps the character of Hoffman being an even more divisive character. Read more

Anime Review: Fate/Stay Night (2005)

Adaptations of visual novels to anime are something of a mixed bag. Sometimes, like with Clannad and Comic Party, the adaptation is a hit. Other times, it doesn’t work quite so much. Fate/Stay Night falls into the former case, though there are times where the work stumbles in its execution, primarily on the animation front, though there are some narrative issues. Read more

Film Review: The Omega Man (1971)

The Omega Man is a weird film to think about in the wake of the presidential election. It’s a film that is as counter-cultural as it is against the counter-culture, with a protagonist who, as a character, very heavily represents the establishment, and who is played by an actor whose later life left him intrinsically linked, in a way, with the establishment. Read more

Film Review: Tales from the Crypt (1972)

One of the strengths of the anthology film in horror, is that horror works really well in short form. It is almost as much the medium of the short story the way that Science Fiction is the realm of the novella and novel, and heroic fantasy is the realm of the novel. This is also why the horror comics of the 50s and 60s leant themselves well to anthology TV series and the anthology film in particular. Read more

Film Review: Extraordinary Tales

I really like anthology films – particularly when it comes to horror. Anthology films let you take a brief period of time to tell an exciting, concise story that can scare you, excite you, or creep you out. Perhaps this is due to many great horror stories being short stories. One of the masters of the horror story was Edgar Allen Poe. This brings me to Extraordinary Tales, an animated anthology film adaptation 5 of Poe’s short stories. Read more

Film Review: Mr. Vampire (1980)

Jackie Chan, as a performer, is frequently compared with Buster Keaton and, as I’ve mentioned in my own review of Police Story at Letterboxd, Charlie Chaplin.

Well, Mr. Vampire, a martial arts horror-comedy film produced by Jackie Chan’s friend and fellow member of the Five Little Fortunes, is what I’d probably describe as the Hong Kong equivalent of the Abbott and Costello Meet… movies. Read more

Film Review: Blood and Lace (1971)

There’s a bit in an episode of Studio 60 on the Sunset Strip where the characters on the series serial-numbers-filed-off version of Saturday Night Live are working on a sketch for Thanksgiving where the turkey spurts absurd, Army of Darkness levels of blood when carved. The bit is not shown, only talked about – with one of the characters commenting about the Prop guy thinking the level of blood is unrealistic with the comment”If it’s just a realistic amount of blood, then it’s… extremely disturbing…”

That is, perhaps, Blood and Lace‘s greatest strength, and its weakness. Read more