As a quick heads up – for the foreseeable future, my streams will be on hold. My last few attempts at streaming had about 65% of the frames dropped, and that was with attempting to shut down any system processes that used network traffic and after replacing my router.

Part of these issues were what lead to the Lost Episode of my Super Robot Wars V Let’s Play, which I got into on the May 30th installment. Going forward, Let’s Play installments will be recorded offline, and then uploaded to YouTube. This may lead to something of a delay in cases where I run into footage that triggers automated copyright bots.

I apologize for the hassle – I do want to start streaming again at some point in the future. Some bandwidth tests outside of Speedtest that I’ve run have lead me to suspect that my upstream bandwidth is being throttled.

This is something of an unwanted reminder of the importance of Net Neutrality – and I recommend readers contact their legislators in their country of residence to make sure that no-strings-attached Net Neutrality is made the law of the land.

Food Wars Vol. 1: Manga Review

Cropped cover of Food Wars Vol. 1

When I reviewed Today’s Menu for Emiya Family, I was impressed not just by the charm of the story, but how well the anime depicted the act of cooking – how well it showed its work. It was a manga about family meals. This wasn’t just represented by the choices of food prepared in the work, but on how the series depicted eating. However, Food Wars Volume 1, which I’m reviewing today, kicked off a sort of boom of cooking anime and manga that lead to series like Emiya Family, and Food Wars could not be more different.

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X-Men: A Case for Diverse Voices

Excerpt from the cover of House of X #1, with Cyclops, Jean Grey, Magneto, Wolverine, and an unknown 5th X-Man

Recently Marvel announced that, as part of Jonathan Hickman’s upcoming run on the X-Men books, the X-Line would be contracted to just two books – House of X and Powers of X, each with a 6-issue run. According to an interview with ComicBook.com, the decision was pitched by Hickman essentially to create a jumping on point for the line for new readers.

The argument makes sense – two books are cheaper than 10 and require less effort to keep track of a story across those books. However, the fundamental idea of the Mutant Metaphor – of Mutants being representative of multiple discriminated minority populations – requires representation not only in the form of the characters on the page but also in the form of the people writing stories with those characters.

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Ultraman (Manga): Thoughts on Vol. 1-4

Ultraman cover art from volumes 1 & 12

If you think about it, superheroes have been a part of Japanese pop-culture ever since the post-war period, and in particular the 60s and 70s. Astro Boy is Pinocchio with Super-Powers. Characters like Shotaro Ishinomori’s Android Kikaider and Kamen Rider featured protagonists fighting a supervillain organizations and their superpowered minions, and so on. And, of course, there is the tokusatsu classic – Ultraman from Tsuburaya Productions.

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