The Haunted Palace: Film Review

Movie poster for The Haunted Palace depicting scenes from the film with the tagline "What was the terrifying thing in the PIT that wanted women?"

The Haunted Palace is, ostensibly, another of Roger Corman’s Edger Allen Poe adaptations, in this case doing a story based on one of Poe’s poems. However, it’s not that at all. Indeed, Poe’s poem barely shows up in the story in the first place. Instead, The Haunted Palace is more of an adaptation of one of the stories of H.P. Lovecraft – specifically, The Case of Charles Dexter Ward, with a screenplay by Charles Beaumont (who I reviewed a documentary about a while back).

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Dragon Inn (1967): Film Review

When I reviewed Come Drink With Me on the blog, I described it as a “Wuxia Western,” as the initial plot of the film – with Golden Swallow going to rescue her brother from bandits holed up in a monastery – could easily be the plot of a western. It is only with the introduction of Drunken Cat’s plot that the wuxia elements come to the fore. Dragon Inn, by comparison, maintains a better balance of the concepts, melding them together to make a cohesive whole.

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Film Review: Eyes Without A Face

Eyes Without A Face is a very engaging, but bleak horror film. Not bleak in the sense of the horror exploitation films of the 1970s, where the endings erred on the side of “Nobody survived and this is going to happen again” or even just “None of our protagonists survived” as was the case of Night of The Living Dead. The film’s ending does have a true sense of catharsis, and if it was narratively framed differently, it would end on a much more upbeat note.

To get into this, I’m going to have to get into spoilers for a film from 1960. If you want to come in cold, consider this your warning. Read more

Film Review: Planet of the Apes (1968)

To get this out of the way first – the twist for this film has been spoiled to death. I’d say it probably was spoiled in its entirety well before I was born. On the one hand, this means that the film’s ending has lost some of its punch, as we all know it’s coming. On the other hand, this means that when you come into the film, since you know the twist is coming, you also know to look for the clues for the twist in the story, and generally pay more attention to the film itself. Read more