Tag: 1980s in film

I haven’t watched a lot of “Kids on Bikes” movies and fiction – I’ve seen ET, Explorers, and The Goonies, and as of this writing am currently in the middle of reading IT (which is something of a Kids on Bikes story for the flashback sequences) but I haven’t seen or read any of the other works that really feed into subsequent works like Stranger Things. I haven’t seen Monster Squad, and until recently, I hadn’t seen The Gate – a lesser-known work in the genre that I hadn’t heard about until Giant Bomb did a “Film and 40s” commentary for it with the Giant Beast crew. Well, this oversight has, at long last, been rectified.

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Roger Corman is widely recognized as a producer who launched the careers of numerous writers, actors, and future directors. He’s also widely recognized as a producer who churned out numerous exploitation films of a wide variety of stripes almost like clockwork, on the cheap, and without much concern about the craft.

This leads to the problems with Humanoids from the Deep. Part of this film is a very well done horror creature feature, with incredibly suspensefully shot sequences, and is a film that is willing to straight up kill off a kid and several dogs very early in the film. It’s also a film where Roger Corman decided to fire the film’s original director, Barbara Peeters, because he wanted the film’s rape scenes to be more explicit – so he handed those sequences off to the second unit director, and the film is lesser because of this. (more…)

Altered Space is something of a horror film that isn’t quite a horror film. In a way, it’s difficult to describe – this is my first time watching a film by Ken Russell, but his reputation has preceded him. Specifically, his reputation for psychedelic, religious, and psychosexual imagery. All of those things are present in Altered Space in spades – with subject matter that is fundamentally horrific but is never presented in that manner. (more…)

Suspiria was what I’d describe as one of the best films Dario Argento ever made, with a tremendous visual esthetic, particularly through the use of color in the film, combined with the excellent score by Goblin. So, it’s not surprising that Dario made a semi-spiritual sequel. The second film, Inferno, introduced the thematic series that Argento named “The Three Mothers” trilogy, with the films based around three witches drawn from Thomas De Quincey’s Suspiria de Profundis. Inferno aims to basically be “like Suspiria but more so,” but it doesn’t quite work. (more…)

When it comes to bad action movies, there are some names in action films that can be reasonably taken as a warning sign that the film you are approaching is a stinkburger. Frank Stallone is one of those names. Frank Stallone started his career as a musician and composer and has had a reasonably successful career at that. However, as his older brother Sylvester became one of the action juggernauts of the 1980s and ’90s, Frank kept also getting action movie roles, presumably on the basis that he looks enough like Sly, that if you put “Stallone” in large enough letters on the poster, people won’t look closer and recognize that it’s actually Frank. (more…)

Live music is theater. Yes, live music is often seen in a theater, but they the act of performing music publically is, in some manner or another, theatrical. It’s a performance that seeks to tell a story or convey an emotion through music. Some genres of music try to lean away from this, like folk or punk (though arguably punk leans so far away from theatricality that it ends up accidentally leaning into theatricality). Others, like metal, prog, and some parts of pop lean into it, either through telling a deliberate story or through the presentation. Stop Making Sense definitely fits into the latter category. (more…)

Heaven’s Gate is a film that originally had a profoundly negative response – critically panned for its excess, both in terms of the troubled shoot and the film’s length, it was considered everything wrong with “New Hollywood”, even before we get into the reports that horses were killed and maimed in the making of this film to enough of a degree above and beyond earlier westerns that this movie lead to the start of the American Humane Society sending monitors to film shoots to make sure this didn’t happen in the future. Since its initial release, the film built up something of a cult following, which ultimately lead to the film getting a re-edit and re-master to fit the director’s vision for its final release a few years ago from the Criterion Collection. (more…)