Fast & Furious is an attempt to course-correct after Tokyo Drift didn’t do as well as planned, moving the focus from “Street Racing Movie with crime elements” to “Crime movie with street racing elements” and bringing the characters of Dom & Brian back to center stage. Unfortunately, the film does this by cribbing from 2 Fast 2 Furious heavily.
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Any movie franchise, when it goes on long enough, will have its rough spots. For the Fast & The Furious franchise, Tokyo Drift is that film – or potentially the first of those.
Continue reading “Fast & The Furious: Tokyo Drift Film Review”
Silver Hawk is a film that feels a lot like it’s part of various SE Asian countries (not just Hong Kong, but also Taiwan) film industries’ making their own attempts to follow in the footsteps of the superhero films of the early 2000s – X-Men, the Spider-man movies, and the Blade films.
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It’s been a while since I watched what I’d call a “Weird Japan” movie – a Japanese film with a degree of creativity and un-reality that is uncommon in Western cinema – and indeed is generally rejected outright in Western independent cinema (see Dogme ’95 and Ethan Hawke’s comments about superhero films). Instead, these films openly embrace science fiction, fantasy, and horror concepts in a way that Western independent cinema (outside of horror) fails to do.
Almost 20 years after Dario Argento released the middle installment of his “Three Mothers Trilogy” he made the final installment of the series – Mother of Tears. As with most series that take this long between installments, there is a sense that what you’ll get with the final installment can never live up to what expectations you’ve set for it. However, even then, Mother of Tears is particularly disappointing. Continue reading “Film Review: Mother of Tears (2007)”
