At Kumoricon 2019, I had the good fortune of getting into a screening of the anime film Penguin Highway. It is an anime film of a variety that doesn’t come out in the US very much – an anime film that is a straight-up family adventure film, and a film that also plays into some of the Kids on Bikes concepts that came up in a few works I’ve reviewed recently (The Gate and Tales from the Loop).
(more…)
When it comes to concepts related to fanservice in anime, there are some that are very hard to do well. One of them, probably the biggest one of them, is what I call “Sexual Slapstick.” It’s someone walking into a room and seeing someone undressing, or tripping and falling and copping a feel (or seeing something they shouldn’t. They’re all based around acts that are gross, which means it can be hard to make funny. Season one of We Never Learn did it and What the Hell Are You Doing Here, Teacher? also manages to actually pull it off.
(more…)
There are some anime with a strong first half, and then which utterly shits the bed in the second half of the show. Yu-No, an anime series based off of an Eroge (and which had an earlier hentai adaptation back in the ’90s) is one of those shows.
(more…)
With the Summer 2019 anime season, while I enjoyed El Melloi II Case Files, I found it somewhat lacking as a mystery or detective series and had hoped that Cop Craft would make up for that. Cop Craft executes its Urban Fantasy Buddy-Cop story well from a narrative standpoint, but less so from an animation standpoint.
(more…)
Lord El-Melloi II is a mystery series that breaks from the conventions of the genre. Specifically, the convention of using the question of “Howdunit” to determine “Whodunit”. When urban fantasy normally sets into this territory, you see writers structure out their magic system to fit within this magical structure. Lord El-Melloi II, on the other hand, tosses convention out on its head and decides to play Calvinball instead.
(more…)
A while back I reviewed the anime We Never Learn: Bokuben – and I described it as a fanservice anime with Enthusiastic Consent. Hensuki is, unfortunately, less so.
(more…)
Lupin the Third is a character who refuses to be tied down. Like Tom Servo, he’s like the wind, baby. His various earlier anime series and films have set him up as a consummate flirt and womanizer, and his adventures have spanned the globe. Lupin the Third Part IV upends that status quo immediately in both respects. In the second, Lupin’s adventures in this series are generally limited to Italy. In the first case, the series opens with Lupin getting married, and not to Fujiko Mine.
(more…)
Occasionally, I watch an anime series that I feel utterly unqualified to review. Sometimes it’s something like Angel’s Egg, where I can clearly feel the concepts flying over my head and ruffling my hair – where I can tell what I’m seeing is art, but I lack the vocabulary to properly expand on the concept. In the case of O Maidens in Your Savage Season, it’s life experiences.
(more…)
When I was in High School, Fruits Basket came out in the US and it was a phenomenon. the manga was the flagship of Tokyopop’s unflipped manga (or “100% Authentic Manga”) initiative, and its success led to the majority of manga in the US being published unflipped, and also cemented a longstanding partnership between Tokyopop and Borders which lasted until both went bankrupt – all of that fueled as well by the success of the anime. Now, about 18 years later, long enough for the high school kids who grew up on FuruBa to have kids of their own, there is a new anime adaptation of Fruits Basket, with the first season airing this year.
(more…)
I’m a sucker for anime series that are intended to be somewhat educational. So, when How Heavy Are the Dumbells That You Lift came up on the seasonal anime charts, it ended up on my to-watch list. While there is some debate about how healthy this show is, I’m glad it exists.
(more…)
A while back, when I had started my fanzine with the intent of getting established science fiction fans, in particular, those who read fanzines (a demographic that is generally more likely to vote and nominate in the Hugos), to watch and nominate speculative fiction anime – I started with a list. I gave a list of anime series that had come out since the turn of the millennium which I thought literary speculative fiction fans would enjoy. Among them was Bodacious Space Pirates, a science fiction anime which I felt took the sense of adventure and wonder that was a fixture of ‘50s and ’60s YA Space Adventure science fiction, kept that, and dropped the obsolete political and social views that fill so many works of that period. Astra: Lost in Space is the next anime that tries this and pulls it off spectacularly.
(more…)
RobiHachi is a very different show than most of the anime series I’ve seen – particularly those about travel. Most anime series that are about travel and tourism that I’ve seen tend to be chill slice of life comedies, like Laid Back Camp. RobiHachi, on the other hand, is a very silly, wacky, over-the-top comedy – though one with some thematic elements in common with those other series.
(more…)
A lot of fanservice anime tends to be gross. Maybe it’s because the fanservice comes through sexual slapstick of the “Whoops I fell and groped you or looked up your skirt” variety. Or it comes through battle damage of the “Female character gets their top shredded in combat and now their boobs are hanging out” variety. Or it’s of the “Male lead openly sexually harasses female characters variety.” Perhaps that’s why the fanservice that comes up in We Never Learn feels like a breath of fresh air.
(more…)
There are works of anime and manga which view feudal Japan with a less than critical eye. Dororo is not one of those works. The original manga by Osamu Tezuka was a work that, while more than a little cartoonish (as this was ’60s Tezuka), looked on the realities of Japan leading into the Warring States period with a critical eye. The 2019 anime adaptation of the work keeps a similar appraisal of the period.
(more…)
This past year, as part of my weekend anime viewings with my parents, we watched all of My Hero Academia over the course of a few months. As I watched the show, something struck me. Deku and his struggles with mastering One For All are a really good metaphor for my experiences with Autism.
(more…)
If you’d read my review of Area 88, you may recall that I gushed over the gorgeously depicted dogfights in that show. Since then I’ve been looking for something that scratched that itch. Not necessarily with the amount of grit that Area 88 did – but still, something that had exciting, tense fighter dogfights. The Winter 2018 anime season brought me the thing that I’d been waiting for. Specifically, it brought me The Magnificent Kotobuki, from the writer and director of Shirobako and Girls Und Panzer. Now, the series had some difficulty taking off for some fans because of the stylistic choices the director made. However, once it got airborne, in my view The Magnificent Kotobuki became a fantastic action anime.
(more…)
In my review last week of the first Boogiepop Omnibus, I talked about this year’s Boogiepop anime series. Since I recorded that episode, I’ve finished watching the series, and have some thoughts of the show.
(more…)
It feels like an unnecessary point to say, but it bears mentioning nonetheless – Fate/Stay Night: Heaven’s Feel II. Lost Butterfly is very much the middle installment of a trilogy. While the first film in this route, Presage Flower, had a very dark ending, this film manages to go into darker places and ends in a dire place. While the first two routes had a degree of brightness to their endings, and I have no doubt that
It also bears mentioning going in, and I’m mentioning this before the cut for those who don’t want to read further before seeing the film – even though I’m going to minimize spoilers, that I would give this film a content advisory for sexual assault and suicide. Neither is depicted explicitly on screen (sort of), but it comes up, so it’s important to know going in.
(more…)
Invoking the name of Sherlock Holmes sets a lot of expectations for a series. It sets the expectations that your series is going to be a mystery series, where the way the mysteries will be solved will be through the detective using deductive reasoning and through keen powers of observation – and also that the detective will have an audience-perspective sidekick who is intelligent and perceptive, but not as much as the detective. Holmes of Kyoto is, occasionally, that. However, just as much of the time, it’s a relationship drama, and not necessarily a well-executed relationship drama. (more…)
Girls Und Panzer (which I reviewed at Bureau42, not here), was a show that I absolutely loved. It had a sports anime plot for a sport that didn’t exist in the real world, Sensha-do, the art of Tankery: the art of crewing and maintaining a tank, and succeeding in combat using that tank – though Sensha-Do competitions are not to the death. (more…)
One of my favorite works of anime fantasy is Record of Lodoss War. It’s a show that I try to watch at least once a year, and due to my appreciation of that, I’ve sought out the various works by its creator, Ryo Mizuno, which have gotten a US release, from the Lodoss series onwards. In any case, when Record of Grancrest War was announced, and that even more it was related to a tabletop RPG that Mizuno had created, I was definitely onboard to check this out.