It is to my great shock that I did not review the first season of Komi Can’t Communicate on this blog. Having now also seen the show’s second season, I think I’m way past due to give this show a review, so it’s time to review both of those seasons.
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Back in May, I gave my early thoughts on Shikimori’s Not Just A Cutie – one of the rom-com anime series I’d decided to watch last season. It’s time to follow up on my early thoughts to discuss how the complete show fits with my earlier assessment.
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One of the genres of anime I’ve spent the least time with is sports anime – where the number of titles I’ve actually seen is far shorter than the shows I intend to watch – only Magical Girl anime and Music series are lower on the list. None of this is necessarily due to a lack of interest. I’ve found that the sports shows I’ve watched I’ve generally enjoyed (with a few exceptions like Battle Athletes). So, in the Spring 2022 season, when I saw Birdie Wing was airing, I decided to give it a watch.
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AMAIM is a show where the first half of the series had some questionable issues, but ended on a really strong note that left me coming back for the second season. The second cour of the series, while it does have some strong concepts, has some significant problems with the finale that makes it not quite work.
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Sometimes you get an anime series that is so tremendously charming that there’s basically nothing bad you can say about it except that you want more of that series. Spy X Family (which I verbally call “Spy Family”) fits that criteria.
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When I watched the first season of Science Fell In Love So They Tried To Prove It, I started out by binge watching the show, and I found the show was basically one joke repeated with some variations. Consequently, when I switched to watching just one episode or so a week, I got a lot more enjoyment out of it. When season 2 was announced, I decided to watch this week to week, figuring that that would be the optimal way to get the most enjoyment out of it. It was – but this also lead to me running into a tonal shift brick wall on the last episode of the series, and without any significant foreshadowing. So, this review is going to have to get into some spoilers for the last episode.
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I have generally avoided doing a lot of Isekai anime. I’ve watched and reviewed the first season or so of Sword Art Online, and all of Log Horizon and My Next Life As A Villainess to date. However, otherwise, this means that the closest I’ve come to Reverse Isekai has been Miss Kobayashi’s Dragon Maid, which is using that particular genre definition loosely. So, Ya Boy Kongming! initially slipped under my radar… until I heard the OP – and then I had to see it. I made the right decision.
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Several years after the first season of the Ultraman anime came out, we’ve finally gotten our second season of the show – this time only half the length of the first season, with a second season the same length coming out next year (giving a whole new meaning to the concept of the “Split Cour”). The question becomes “how well does a shorter, tighter narrative handle the series.
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Moving on to the next of the anime series of the Spring Season that I’ve been watching – as of this writing I’m about 4 episodes into Shikimori’s Not Just a Cutie – one of the new rom-com anime of the Spring 2022 Season that caught my interest. I’m about 4 episodes in so far, which is far enough to give me a pretty good feel of the show’s dynamics.
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Outside of the shows that carried over from the Winter Season (like Requiem of the Rose King), there were a couple earlier series that I reviewed that are getting second seasons, that I feel like giving some quick thoughts on – partly to cover for time on the blog (because, again, work wrapping up) and partly because honestly, I haven’t done much with the “As They Air” thing for ongoing series before and this might be worth doing for the long term. So, here are the two Season 2-s of anime I watched from earlier seasons that I’m checking out in the spring.
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Unfortunately, with my current work wrapping up, this has played hell with keeping things caught up on my daily blog posts – so I’m having to grab some ideas more or less off of the cuff. In this case – with my regular anime viewing, I’ve gotten about 3 episodes into one of this new season’s most popular shows – Spy X Family, and I figure it’s worth breaking from my usual tendencies to give my thoughts on the first 3 episodes of the show.
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I’m a sucker for an anime that has an element of instruction and education to its premise, and as someone who also appreciates cosplay, but who does not cosplay himself, I’m interested in the craft behind it. So going into the Winter 2022 season, I’d already suspected that My Dress-Up Darling would be my jam on that front. What I wasn’t expecting was to get a tremendously sweet love story along the way.
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Lupin The Third: Part 6 is, unfortunately, a mess. Unlike previous Lupin series, this one neither has a serialized focus (like with Woman Called Fujiko Mine) or a primary episodic focus (like Parts 1 through 3). Instead, the series tries to be a hybrid, sort of like Part 4, but instead of the stand-alone episodes fitting in the overall continuity, they go off on their own directions in ways that are very hit-or-miss. This is all aggravated by splitting the show into two different serialized plots – one per cour.
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Blade Runner, as a franchise, has had a lasting impact on anime, particularly in the Cyberpunk genre. In the lead-up to Blade Runner 2049, an OVA – Black Out – was released to expand the setting. As a further part of those efforts after 2049’s release, Adult Swim & Crunchyroll collaborated with Shinji Aramaki & Kenji Kamiyama to put out a CGF animated series set between the Black Out OVA and 2049 – Blade Runner: Black Lotus. Crunchyroll & Adult Swim’s last collaboration – Fena: Pirate Princess, was somewhat mixed, and unfortunately, this series, Blade Runner: Black Lotus, is much the same.
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If AMAIM: Warrior at the Borderline was the mecha anime series from this season that was trying to sell hesitant viewers on Japanese conservative talking points in an anime context, Rumble Garanndoll feels much more like a move in the opposite direction. It’s a mecha anime series, leaning more towards the super robot side of things, which also feels like it’s more overtly anti-fascist, but with a more comedic, otaku-focused take.
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AMAIM: Warrior on the Borderline was an anime series from Sunrise Beyond (formerly XEBEC), which touted itself as being a mecha series that continued with having fully hand-drawn mecha, instead of ones created using CG. Unfortunately, it ended up trying to surf into some politically awkward waters, in terms of its plot, and while it may have navigated them successfully, it didn’t try to do anything interesting either.
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Of the fall 2021 anime, one of the two main romantic comedy anime series for me was My Senpai Is Annoying, a workplace comedy series with a nice healthy dose of romantic comedy that worked very well for me, as a Geriatric Millennial.
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We have a trio of mecha anime that I watched this past year – the first of which to finish was Sakugan, something of an underdark exploration anime, combined with some Gurren Lagann-esque hot-bloodedness, and a well-done father-daughter dynamic with the leads.
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Takt Op: Destiny – the first part pronounced “Takt Opus” – is the second of the two anime I watched this season based on a mobile game – specifically a mobile game that wasn’t out yet. Unlike Pride of Orange – this was a show where how the ultimate game would work out in practice felt like it was a little more established from the get-go. This still left the question of whether we’d get a solid story out of the bargain.
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The past couple of years have had a wide array of new sports getting represented in anime forms, some of which I’ve reviewed on this blog – like Sk8: The Infinity, Re-Main, and Sport Climbing Girls. Well, this year we had not just the first hockey anime (which is a surprise right there), but it’s also the first girls’ hockey anime (and potentially the first girls’ hockey TV series – full stop), with Pride of Orange.
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When I learned that Hiro Mashima’s next project after Fairy Tail was going to be a science fiction series, I was intrigued to see where this was going. When I learned it was going in more of a science-fantasy direction, I wasn’t exactly surprised, considering his track record. However, when I finally watched the first season of the anime adaptation of this project, Edens Zero, on Netflix, I was absolutely surprised by just how dark the show is. There will be some spoilers for the show below the cut, mainly for early episodes.
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The year is wrapping up, so it’s time to a year in review video where I give my 6 anime that I recommend from 2021.
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Way of the Househusband, like Science Fell In Love So I Tried To Prove It earlier, is a comedy anime based around variations on one theme – the theme being, “What if a super badass retired yakuza was really goddamn good at domestic tasks.”
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Fena: Pirate Princess is the first co-production in a while between Adult Swim/Cartoon Network and an anime studio (in this case, Production IG), possibly the first major series since the second season of The Big O. With an animation style and plot that feels like it’s meant to evoke Nadia: The Secret of Blue Water and The Mysterious Cities of Gold, while leaning into the “anime-ness” in a way that feels similar to Avatar: The Last Airbender, except in the sense of an anime studio looking at Avatar and going, “We can do this.” The question then is – can they do this?
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