Deadly Ever After is the first Rivers of London story to be published after Amongst Our Weapons, and the first to move the timeline forward after that point, and a little past that point as well. It’s also one that moves the focus of the story clearly beyond The Folly, with the focus being more on the River Goddesses themselves.
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I have, in the past, gotten into my appreciation of works discussing and examining works that examine the history of technology, art, and fandom, and the intersection thereof – and there is no place where those three intersect more than in Science Fiction as a genre. So, when I learned in a passing mention on the Sword & Laser Podcast about the graphic novel The History of Science Fiction by Xavier Dollo and Djibril Morissette-Phan, I knew that I needed to check it out. It is lacking in some significant ways, but they’re also ways that can be rectified in a second volume, if the creators are up for it.
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A while back, I reviewed the 1978 Space Pirate Captain Harlock anime on the blog. My general verdict was that, after finishing the show, it was an enjoyable work of space opera. Well, almost 40 years after the series originally aired, the story is getting revisited and expanded in the form of a comic by Leiji Matsumoto & French comic writer Jerome Alquire.
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X-Men comic events tend to not be small, and also tend to shake up the whole line to very dramatic degrees. Fall of the Mutants set up the Australia Arc and ultimately lead to that team going through the Siege Perilous. Inferno killed off Madeline Pryor, de-aged Illyana Rasputin, and sent Nathan Summers into the future to become Cable. X-ecutioner’s Song unleashed the Legacy Virus. And the most recent one of these has been X of Swords.
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