Stray Dog is one of the earlier film noir styled films from Akira Kurosawa. It’s an interesting example of the genre, and it also makes for an interesting snapshot of post-war Japan. The premise has Toshiro Mifune playing a rookie homicide op whose weapon is stolen by a pickpocket while on the bus. The detective ends up being partnered with a veteran detective as they make their way through Tokyo’s underworld to find the gun. Continue reading
It’s weird watching Rashomon after seeing multiple films and episodes of TV shows that used the central narrative device of Rashomon after the film came out. On the one hand, it’s a film that did a lot of this stuff first, but on the other hand, it is still, in a way, somewhat old hat.
Probably what makes Rashomon work as well as it does is how the lies in the story are presented. We have the initial witness testimony, showing the discovery of the body. Continue reading