Book Review: Record of Lodoss War – The Grey Witch

A few years ago I did a video review of the original OVA for Record of Lodoss War. At that time, the OVA was out of print, as was (and still is, sadly) the manga adaptation of the novels. Since then, Funimation (not the company I expected to do it) license rescued all of the anime, and now Seven Seas has done something I never expected to happen – they licensed the first novel, and gave it a fantastic edition in 2017. I got it for myself for Christmas, and finally was able to read it in February. Continue reading → Book Review: Record of Lodoss War – The Grey Witch

Legends of the Force: Episode XVI – Dark Apprentice

We return to the Jedi Academy trilogy to see how Luke starts to train his students. Spoilers: Not everything goes well.

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Book Review: Paperbacks from Hell

In the ’70s, and ’80s, there was a massive boom in horror cinema in various stripes, from the US and Italy, combined with the general boom in Exploitation films. This boom wasn’t just limited to film. This period also saw a dramatic increase in the amount of horror novels published in the US – with highly successful novels like The ExorcistRosemary’s Baby, and The Amityville Horror, and Jaws (all of which were later adapted to the screen), leading to an accompanying rise in horror novels.

Paperbacks from Hell goes into this boom and basically breaks down the slew of horror novels into manageable chunks. Not by year, but by sub-genre, getting into what gave each subgenre its appeal. White Flight from the cities and the success of The Amityville Horror helped boost the popularity of haunted house stories, and so on.

The tone of the work is somewhat irreverent – recognizing that when you have so many hundreds upon hundreds of horror novels in myriad sub-genres can lead to a very high level of crap, and a lot of formulaic writing. It makes for a book that I’d almost describe as what you’d get if Brad Jones wrote a guide to Exploitation film.

The book also pulls no punches when it comes to criticism. Author Grady Hendrix makes it clear that some of these genres in particular, especially those who put the horror in an urban setting, are basically written to play on conservative fears. Hendrix does a good job of calling attention to a great deal of the misogyny that with those books, along to other bits of bigotry (especially when it comes to the writing of people of color and gay characters). In turn, the horror books based around rural are also based about more progressive observations – the coal town making a deal with the devil to reopen the mine and bring the jobs back (but in turn opening a portal to hell).

While some of the big names, like Stephen King, Peter Straub, Clive Barker, Anne Rice, and Poppy Z. Brite are certainly mentioned – their work helped keep the boom going, and their fiction has been able to endure long after the paperback boom has ended – he puts a lot of focus on other, lesser known horror authors. By no means are they all good, but they are all certainly interesting, either in terms of the particular fears they called on to fuel their work, or their own personal careers.

The book is also interspersed with a wide variety of color images of the covers of these various books, which on its own makes for engrossing viewing. As the books in these various genres go more and more over the top in an attempt to one-up both the last installment, and their competitors , so the covers get more and more hilariously macabre, going from creepy, to gross, to bizarrely absurd.

If nothing else, as I read this book, I found myself wishing there was a Youtube show, like The Cinema Snob, which approached these genre with the same degree of irreverent humor as he does in that show. I’ve already got a bunch on my plate already, otherwise I’d be willing to take up that torch myself. Still, there is definitely a space in internet horror fandom for someone to take it up instead.

Paperbacks from Hell is available from in paperback and Kindle editions. There’s also an audiobook forthcoming. However, due to just how absolutely important the art is to this book, in terms of showing how these books were presented to the public, I cannot recommend the audiobook when it comes out, and I’m hesitant to recommend the Kindle edition as well. The Paperback edition is the best way to go, with the covers of the various books presented clearly in vivid color.

If Hendrix was to edit a coffee table book compiling their favorites of the covers from this period, I would also give that a clear recommendation, as the covers for these books are intense, over the top, and truly have to be seen to be believed.

Book Review: William Shakespeare’s Star Wars: Part the Fourth – Verily A New Hope

I like Shakespeare. While certainly presentation can mean a lot when it comes to a play, a good cast and some good staging can take some of the Bards more “meh” plays and make them enjoyable (such as with Henry VI), and his work can be adapted to a variety of other settings.

So, when I found out about the adaptations of the Star Wars Original Trilogy (and, later, the Prequel Trilogy), to something similar to the work of the Bard, my interest was piqued. However, plays are best when they are performed instead of simply being read off of the page – as anyone who has had to silently read Shakespeare for High School English class will tell you. That is, in part, why most English teachers worth their salt will have the class read the play aloud.

Consequently, when I found said trilogy was also available as audiobooks from Audible, I was now much more interested in picking them up. The audiobooks imagine them as a (mostly) full cast play, with a few of the readers playing multiple parts. For example, the reader who voices Leia also reads the Stage Directions, and I think that the reader who does Obi-Wan also voices the Chorus.

As with the Bard’s plays that featured dialog in other languages (like French in Henry V), dialog in the various constructed languages – like Huttese, Shyriiwook, or R2-D2’s beeps – are not translated, though it’s still rendered in iambic pentameter. R2-D2 does have asides in regular English, which gives him some more explicit character depth. This makes sense as while he had some character depth in the films, it was more implicit, drawn from the sound design by Ben Burtt and the operation by Kenny Baker.

The text of the play has a mix of modifications of the dialog of the films, and some original dialog. Well, original-ish. The play on multiple occasions cribs heavily from Shakespeare’s other work. Luke is possibly the worst offender in this regard, though C-3P0 has a bit that weirdly cribs from Richard III at the start of the play. It’s something that causes a problem with the flow of the story – things are moving along at a nice clip, and your mind’s eye has you both in the midst of the film, and with how the imagined play is performed, before you run into something cribbed from another work of Skakespeare’s canon, and you’re bounced right out of your groove.

Some work better than others though – after getting out of the Stormtrooper armor when they’ve escaped from the Trash Compactor, Luke gives a variant of the “Alas, poor Yorick” speech, while examining the Stormtrooper’s helmet. This works a little better than some of the other speeches, because while Luke has seen death prior to this part of the story – the troopers who boarded the Falcon would make for the first time he’s actually killed anyone, and everyone else he’d shot after that point had clearly been in self defense instead of in cold blood, so it makes sense for him to get reflective.

I really enjoyed listening to the play, and given the choice between either just reading it or listening to the audiobook, I prefer the audiobook – though reading along while listening to it wouldn’t hurt as well. The publisher also put together teaching resources to go with the book, and I could see this being really useful for teaching a High School English class about Iambic pentameter and how Shakespeare’s plays were structured, through presenting a story that the class is already intimately familiar with in addition to Shakespeare’s plays.

I’ve already picked up the rest of the original Trilogy, and will review the rest of those as I come to them. Sadly, the Prequel Trilogy version have not gotten an audio book adaptations, so I’ll have to go with the written versions once I get to those.

Shakespeare’s Star Wars is available from, and purchasing the book through that link will get me a commission based on your purchase.

Book Review: The Hastur Cycle

The thing with collections of short stories is that, in theory, they should serve as your narrative buffet. You take the stories you like, and if there’s one you don’t like, you can move past it and go on to the next. However, much as some buffets have nothing to like, occasionally some short story collections have nothing enjoyable to them. Thus is the case with The Hastur Cycle and me.

As someone who has enjoyed some of H.P. Lovecraft’s fiction, and playing the Call of Cthulhu role-playing game, I had thought this collection would be right up my alley. I was wrong. As a collection of stories, it has a profoundly unpleasant tone to it that seems to permeate every work in the story. There’s recurring motifs of cruelty to animals in general and cats in particular that particularly turned me off. One story has the “lead” (I wouldn’t call him a protagonist) attempting to murder a cat with their cane, and then another draws a connection between a bus driving off a road into a flood with a sack of kittens being downed.

The latter example felt particularly unnecessary, and bounced me hard out of the story in two different directions. The first was in the context of the image being particularly gross. The second was because I had to ask myself – how and when was this particular act – drowning kittens – widespread enough that it was something that an author would feel is familiar enough to draw reference to – and finding myself really not wanting to know the answer, as learning it would be bad for my sanity.

This isn’t helped by the stories not being in any real chronological order by publication. Some of the earlier stories fit, but the rest don’t have any information in terms of when they were published, and consequently it makes it hard to figure out what stories and conceits came from HPL, and which were contributed by those particular authors.  Looking at the list of stories and diversity of authors in this book, I was hoping was an aspect of the Cthulhu Mythos where Lovecraft was influenced as much as he was influential. Unfortunately, this book does not contain the answers to those questions.

That said, the central focus of the stories – Hastur, Carcosa, and the King in Yellow – are concepts of the Cthulhu mythos that I hadn’t run into that much, and I was interested in reading more about, so this made the fact that the book bounced me out all the more disappointing. It does make me wonder if this particular issue is particularly intrinsic to stories related to Hastur, or if there are short stories and novels where this isn’t an issue.

I can’t recommend this book, though I admit the issues that caused me to bounce out of this book might not be issues for other readers.

If you do want to pick up the book, it is available from I receive a commission from purchases picked up through that link, so if you want to help support the site in a manner other than my Patreon, consider making any purchases through that link.

Book Review: Dragons of Autumn Twilight

When I first read Dragons of Autumn Twilight, back in Middle School, I hadn’t read much fantasy fiction, and I definitely hadn’t watched much anime. This year, I decided to revisit the Dragonlance trilogy, with what I know now about Fantasy fiction, with a more mature perspective as a reader, and having watched (according to MyAnimeList) 66.5 days worth of anime between when I discovered Anime in Middle School and now.

The first book, in a way, starts of in a cliched fashion, but in a very self-aware cliched fashion – Group of adventurers meet in a bar and are kicked out the door on the road to adventure. In this case, the adventurers are a band of heroes who have mostly known each other for years who left to travel the world because they suspected that there was some Weird Shit going on, and returned with the answer “I dunno, but there’s some Weird Shit going on.”

The heroes are Flint Fireforge (Dwarfy Dwarf), Tanis Half-Elven (Ranger With Dice Lice), Sturm Brightblade (Kinda Lawful Stupid Cavalier/Paladin), Tasslehoff Burrfoot (Kender Thief whose player wants to play the comic relief), Caramon Majere (Fighter with good Con, Str, and Cha but not great Int and Wis), and his brother Raistlin (Mage who rolled 18s for Int and Wis, and 8s for everything else).

They are kicked out the door with the arrival of two barbarians – Riverwind and Goldmoon. The two have obtained evidence that after the Gods had left the word of Krynn centuries before in a great Cataclysm, they are returning to the world. The existing theocratic governments consider this a threat to their power, and the forces of the Goddess of Evil want to cover this up because they don’t want people to know that the Goddess of Evil is quite back yet (or at least that there’s an alternative).

Re-reading the book, I found in my mental pictures of the characters that they easily fit into more anime-inspired portrayals. Much of the humor in the book comes from either characters doing something dumb and being “corrected” for doing it, or through characters getting into silly situations and reacting to them in a comedic manner. At several points through the book I found myself coming up with “omake” strips for the story, or thinking about how it would work as a sort of “Dragonlance Abridged” webcomic.

As an aside, if that doesn’t exist, then it totally should.

The writing is generally okay. It gets a little male-gazey at parts. Admittedly, this happens when the POV character is male, but on the other hand, you can have a male character describe a female character who they’re attracted to without getting into describing their boobs and thighs. On the other hand, Weis and Hickman have the best Dragon descriptions and internal narratives in the business. Each of the dragons we encounter in this story are absolutely terrifying, killing their victims that, to continue the anime comparison, would fit in nicely with a late 80s, early 90s OVA or film.

The characters are two dimensional, but not in a bad way. These don’t have the character depth as the characters from Game of Thrones, but they fit well into archetypes, and archetypes can sometimes work to help the reader know their way around a work. That said, it’s where the writers go with those archetypes in the second installment that really decides how the series goes. To use the Star Wars comparison, by the end of A New Hope, everyone is still fairly stock archetypes. It’s Empire Strikes Back where they go into new and interesting directions.

I definitely enjoyed reading the book – though I recognize that this is the literary equivalent of a popcorn movie – it’s not going to challenge your sensibilities, but you’ll have a fun time while you read it.

If you are interested in picking up the book, it’s available from as a paperback, Kindle book, unabridged audiobook, and as an annotated anthology with the other two books in the trilogy.

Book Review: The Tomb (1984)

A while back I watched the film adaptation of F. Paul Wilson’s novel The Keep, and that lead me to go on to read that book and move on to his Repairman Jack series. However, I had never gotten around to the first book in the Jack series, which was also part of the same series as The Keep – The Tomb – until recently.

It’s very interesting reading this book in the context of having read later Jack books before it, in addition to having read The Keep. The Keep is an work of supernatural horror that is played very straight, which lays the seeds of a larger supernatural conflict going on in the shadows. This book ties into that conflict, but not as directly. Glaeken, the first book’s protagonist, is not appearing in this story, nor is the antagonist of the first book. Instead, the supernatural horror of the first story is hinted at, through a setup that indirectly pays reference to The Keep, with a similar setup.

Additionally, the book has a very different from of protagonist. In The Keep, much of the cast was effectively powerless against the supernatural force that had been released from the titular Keep, until the arrival of Glaeken, the one person who knows what’s going on and how best to fight against it – a combination of Van Helsing and the more action based characters in Dracula. By comparison, Jack is closer to the protagonists of various airplane potboiler thriller novels like Jack Reacher, and he approaches problems in a similar fashion.

To put it another way – Glaeken in the film version of The Keep was played by Scott Glenn, who does a great job at playing a character who not only has a great physical presence, but also comes across that he knows more than what he’s telling at all times, and that he knows some crap – that he knows something about the nature of the universe that other people don’t know, and that he won’t tell people if he thinks they can’t handle it (and he thinks they can’t handle it). If The Tomb had gotten a film adaptation that was semi-contemporaneous with the book’s initial publication, the ideal casting for Repairman Jack would likely be someone like Kurt Russell or Bruce Willis – grounded tough guy actors who are good at playing characters who have seen some shit, and who are also good at selling the stuff that the stuff they’re facing is scary.

You’ll notice that I haven’t talked much about the story. That’s because there isn’t exactly a lot there. The premise is basic – Jack is hired by two different people for two jobs. One is from the stepmother of the woman Jack is in love with (Gia). Gia’s step-aunt is missing, and Jack has been asked to look for her, as the police haven’t had much success. The second is from an Indian diplomat, whose grandmother has been attacked, and her necklace stolen. Those two cases end up becoming intertwined, through a monstrous horror lurking in a ship docked in New York Harbor.

If, after that description, your response is “that sounds like an airport novel that would probably get turned into a movie” – that’s a fair assessment. It’s a suspense thriller with a few moments of dread, but no real sense of terror. The main monsters of the story spend much of the time off camera, and most of the times when they attack or kill people also happens off camera. It makes it hard to truly buy them as a threat when you don’t see them succeed.

That said, Jack is an interesting character, and the fact that I checked out this book from the library instead of having bought a paperback new when it first came out helps some. This is absolutely the quintessential airplane horror-thriller novel. It’s something that will get you through a long flight, but if you accidentally left the book on the plane, you wouldn’t feel bad about it.

The Tomb is available on paperback, Kindle e-book, and an Audible audiobook from

Legends of the Force: Episode XIV – The Courtship of Princess Leia

This time we find out how Leia and Han got married.

Opening Credits: Star Wars Theme from Super Star Wars on the SNES.
Reference Footage: Pokemon.
Closing Credits: Chiptune Cantina Band from Chiptune Inc. –

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Book Review: Empire of the Imagination

I don’t know if you know this, but I like tabletop RPGs. I really like tabletop RPGs. So, when I learned of the massive amount of scholarship going around RPGs and the history thereof, I got really excited. Though not the first book on the topic that I picked up (that being Of Dice And Men, which I reviewed in the fourth issue of my fanzine) this is one of the first, and one that warrants some discussion. Continue reading → Book Review: Empire of the Imagination

Book Review: Storm Front

Jim Butcher’s Harry Dresden series kicked off something of a new renaissance of Urban Fantasy. The genre had existed before – authors such as Emma Bull and Mercedes Lackey had written works in the genre, but what made Harry Dresden distinctive is how well it combined the Urban Fantasy genre with the hard-boiled detective novel. I had previously read Storm Front, and several of the later books, but hadn’t read any further books in a while. So, I figured now was as good a time as any to revisit the series beginning. Continue reading → Book Review: Storm Front

Book Review: Aetna Adrift

Disclosure: I received this book for free from the author for purposes of review.

When I received Aetna Adrift from the author, Erik Wecks, at OryCon last year, I saw that the book was a prequel to another series of books that he’d put out – his Pax Imperium series. Before I accepted the book, I asked if he considered the book to be a decent jumping point to this series. He said it was. I was a little unsure, but I accepted the book anyway. The good news is that the book is. It starts on a rough foot, but once it really gets going, it makes for an enjoyable read. Continue reading → Book Review: Aetna Adrift

Book Review: The Truce at Bakura

We’re returning to the Star Wars novels with our first straight-up stand alone book (meaning one that isn’t part of a trilogy or other mini-series.

Writer: Kathy Tyers
Publication Date: January 1994

The Truce at Bakura is available from in Kindle and paperback editions.

Plot Notes

A few days after the victory at Endor, an emergency communication drone from the planet Bakura arrives at Endor, with an emergency message for the Emperor – the planet is under attack by an alien race known as the Ssi-Ruuk, an alien race from beyond the outer rim. They have the planet’s defenders out-matched, and they are in desperate need of assistance. Apparently the Emperor had a deal with these aliens, and now that he’s dead, they have determined the deal is off – they have set out to conquer the whole galaxy, leaving no race in their way.

Seeing an opportunity to win some hearts and minds, Luke & Leia persuade the Alliance council that they should send a relief force. At the very least, even if they can’t get the Bakurans to join the Alliance, they need to at least prevent a potentially hostile alien race from getting a foothold that could turn their efforts against the Empire into a two-front war.

Luke, Leia, and Han set out for Bakura, along with an Rebel task force that includes Wedge and Rogue Squadron. On arrival, they negotiate an uneasy truce with the local Imperial Governor and the commander, and learn the truth about the Ssi-Ruuk. The Ssi-Ruuk are reptilian aliens who seek to capture their opponents and “entech” them, by transferring their consciousness into droid fighters – finding that Humans make for better sources of souls for their droids than the other aliens they brought with them do.

Luke works with the commander of the Imperial forces to prepare a defence, while Leia tries to work with the locals. During a diplomatic fete, Luke meets a local politician named Gaeriel Captison, and falls for her. While meeting with her, Luke learns that her grandmother was part of a local Rebel cell, but was captured and suffered brain damage in Imperial captivity. Using the Force, Luke is able to heal her. Luke also learns that Gaerial is part of a local religious group that worships the “Balance”, and felt that the Jedi were responsible for upsetting the balance.

Luke also ends up sensing the presence of a mysterious human among the Ssi-Ruuk: Dev Sibwarra. Dev is force-sensitive, but has received no training, and has been kept alive by the Ssi-Ruuk because her force sensitivity makes him useful. They have been abusing him and subjecting him to frequent brainwashing sessions to keep him pliable. However, when Luke makes contact with Dev’s mind in the heat of battle, it inspires him to try to rebel against the Ssi-Ruuk in various small ways.

Further, the Imperial governor, Wilek Nereus, is in the throes of a conundrum. He absolutely doesn’t want the Ssi-Ruuk to win. However, if the Rebel forces also win, then he’ll lose power. So, he puts plans in motion to betray the Alliance at the moment of victory, including infecting Luke with a virulent parasite and then turning him over to the Ssi-Ruuk, in the hopes that the parasite will kill them all.

Ultimately, Luke is able to heal himself of the parasites while aboard the Ssi-Ruuk ship, and with the assistance of Dev, is able to do enough damage and soe enough confusion that the combined Rebel and Imperial forces can defeat the Ssi-Ruuk. Meanwhile, Han, Leia, Gaerial and her grandmother are able to overthrow Governor Nereus. The Alliance offers Imperial forces the choice to leave to return home (or, for that matter, join the Remnant), or join the Alliance. The commander of the Imperial forces chooses to defect to the Alliance in order to command Bakura’s defense. Gaerial decides to remain on Bakura to help form a new government, and the remainder of the Rebel forces return to the rest of the fleet.


  • First appearance in the novels of an “alien race from beyond the Outer Rim” – the Ssi-Ruuk.
  • The Alliance captures a Ssi-Ruuk warship, the Sibwarra.
  • The introduction of a religious belief outside of The Force – the Balance. Believers in the Balance (Balancers?) hold that the power of the light and dark side must be kept in check. Gaerial was a more… fundamentalist believer, and felt that the Jedi and the Republic threw the balance out of whack, and consequently she was concerned about the presence of even a single Jedi – Luke.
  • First introduction of the Imperial HoloNet – a galactic communications network controlled by the Empire, but one which does not have instantaneous communications (like a Subspace Ansible) – the Bakuran garrison couldn’t use the Holonet to call for help from other garrisons, and the Alliance couldn’t use captured Holonet transmitters to access the entirety of Imperial Communications. Presumably this is what the Emperor used to contact Vader.
  • On some planets, the Empire permitted local forms of government to exist as a means of controlling and pacifying the populace, provided they basically served to rubber-stamp the decrees of the Imperial Governors.
  • First appearance of battle droids in any form, but not in the manner we’d see in the prequel trilogy – not by a long shot.
  • Palpatine has had contact with alien races from outside of the galaxy, and has been cutting deals with them, for various reasons.


Luke Skywalker: His first outing commanding a larger Rebel force in battle, not just a smaller group like a fighter squadron. This is now his first canonical attempt to try to teach someone in the force – Dev. Canonically Obi-Wan appears to Luke as a Force Ghost for the last time. Has yet to tell the Alliance of the truth of his parentage.

Princess Leia Organa/Skywalker: Is still in denial over being the daughter of Darth Vader/Anakin Skywalker, but becomes more accepting of this over the course of the book. Anakin Skywalker’s Force Ghost appears to her and a speaks to her, in an attempt to reconcile. Leia rejects his overtures.

Han Solo: Is a little over-protective of Leia. Tends to put his plans together on the fly (much like Indiana Jones, which I think is a deliberate call-out on the writer’s part). Is not quite ready to propose yet.

Chewbacca: We get scenes from his actual point of view for the first time. As has been established in earlier works, he’s incredibly mechanically adept, and he really doesn’t like C-3P0, to the point of having to weigh having to repair 3P0 again, against the fact that he’d really like to smack him around.

C-3P0: Is actually somewhat mechanically dextrous, and can engage in semi-hacking if necessary, though he’s not as proficient as R2-D2. Can also wear Imperial Stormtrooper armor in a just convincing enough fashion to accidentally get shot by Chewbacca. Has a linguistics package strong enough to put together an impromptu Ssi-Ruuk-to-Basic translation package based on intercepted Ssi-Ruuk battle transmissions.

Other Notes

This book pretty much retcons the last portion of the Marvel Star Wars run out of existence – no Nagai, no Tofs, nothing, though part of the material from there will be back.

My Thoughts

This book was enjoyable to read, but not exactly great. Seeing Leia in her element as a diplomat was wonderful, though considering we get to see Leia as a general in The Force Awakens, I would mind seeing her in more books as a military commander going forward as well.

Tyers does a great job of capturing the transition in the status quo that we see after Return of the Jedi – the Emperor’s dead, now what? In the comics, the answer to that question is “form a more conventional government”. In here it’s “strike while the iron is hot to foment more open rebellion on fringe Imperial colony worlds, while the Empire is disorganized, power is being concentrated, and the new Imperial government tries to figure out what they’re actually going to try to hold.”

The concept of the Balance as a religion is a little roughly executed. Even Tyers admits that the concept is cosmic dualism taken to an absurd degree. That said, I do kinda feel that the concept is still executed here better than it is in the prequel trilogy.

Next time with these recaps we’re taking on the first book in the Jedi Academy Trilogy with Jedi Search

Book Review:The Cloud Roads

Most fantasy novels that I’ve read work, generally, in the context of an existing society of our world. Tolkien took his cues from Nordic mythology and the Eddas. C.S. Lewis took a mixture of elements from various Mediterranean cultures and his own Christian views. Japanese period fantasy (as seen in anime, manga, live-action cinema, and books like the Kouga Ninja Scrolls) take cues from stories about youkai and oni, along with legends about the history of the Japanese Imperial family and the deities from which they draw lineage.

So, when reading The Cloud Roads, I was rather surprised to see very few connections to any real existing human cultures. However, the book also managed to execute on this without leaving me completely lost. Continue reading → Book Review:The Cloud Roads

Book Review: I, Strahd – The Memoirs of a Vampire (1995)

Gaming licensed fiction is hit and miss. For every Dragonlance Chronicles, you get a bunch of Darkwalker on Moonshaes. With the AD&D campaign setting of Ravenloft, which was born out of an adventure by Tracy & Laura Hickman, one would think that the novel focusing on the character from whom the setting was born would be written by the creator of that character – particularly when Tracy Hickman had gone on to co-create Dragonlance with Margaret Weis and would go on to co-write a bunch of New York Times bestselling novels. Instead, they went with a writer who also had also worked with TSR, and who had a strong track record writing gothic horror vampire fiction – P. N. Elrod. Continue reading → Book Review: I, Strahd – The Memoirs of a Vampire (1995)