A few years ago, I reviewed the first film in Dario Argento’s “Three Mothers” trilogy – Suspiria. This time I’m looking at the first film he worked on with Goblin – Deep Red. As this is an over 30-year-old-movie, there will be some spoilers below the cut.
Continue readingTag Archives: Dario Argento
Mother of Tears: Film (Video) Review
This time we come to the final, and worst, installment of the Three Mothers trilogy, Mother of Tears.
Continue reading
Inferno (1980): Film (Video) Review
We have Inferno, the middle installment of the Three Mothers series after Suspiria, this week, and it’s sadly inferior to the first film.
Continue reading
Suspiria (1977): Film (Video) Review
My October Horror reviews begin with the 1977 version of Suspiria, as we make our way through Dario Argento’s Three Mothers trilogy.
Continue reading
Film Review: Mother of Tears (2007)
Almost 20 years after Dario Argento released the middle installment of his “Three Mothers Trilogy” he made the final installment of the series – Mother of Tears. As with most series that take this long between installments, there is a sense that what you’ll get with the final installment can never live up to what expectations you’ve set for it. However, even then, Mother of Tears is particularly disappointing. Continue reading
Movie Review: Inferno (1980)
Suspiria was what I’d describe as one of the best films Dario Argento ever made, with a tremendous visual esthetic, particularly through the use of color in the film, combined with the excellent score by Goblin. So, it’s not surprising that Dario made a semi-spiritual sequel. The second film, Inferno, introduced the thematic series that Argento named “The Three Mothers” trilogy, with the films based around three witches drawn from Thomas De Quincey’s Suspiria de Profundis. Inferno aims to basically be “like Suspiria but more so,” but it doesn’t quite work. Continue reading
Film Review: Suspiria (1977)
When it comes to giallo, the work of Dario Argento is something of a gap in my knowledge, which is a shame since he, like Bava and Fulci, are legends of the genre. Indeed, Argento probably had the greatest mainstream penetration of any work of Italian horror, through this work – Suspiria.