Tag: Film Review

film

No Time To Die: Film Review

When it was determined that, no really, No Time To Die was going to be Daniel Craig’s last outing as James Bond, we then had the question of just how his Bond was going to go out. Most of the previous Bonds to date ended at the status quo at the end of their last outing – each film having an ending like all the rest of the bond movies. However, Craig’s bond films, however, have generally never quite been like any of the other Bonds. Casino Royale and Quantum of Solace were films setting up the start of Bond’s career, and Skyfall and Spectre were very much about changing up the status quo (changing of the guard for M and the re-introduction of SPECTRE, respectively). So, there was a real question here of whether Craig’s departure would be about continuing the plot thread with a new actor picking up the baton from the last, or doing a mostly fresh-start of the continuity, as was done with Casino Royale.

Continue reading “No Time To Die: Film Review”
Alexander Case
film

The Vampire Lovers: Film Review

Hammer Films has always had some form of sexual content in their movies, generally in the form of various generic barmaids with cleaving-accentuating outfits being menaced by some form of monster (usually Dracula, but occasionally a werewolf or Frankenstein’s monster. However, due to Hammer’s frequent clashes with the BBFC, never with actual nudity. Similarly, while critical discussion of vampire fiction has discussed a degree of homoeroticism, up until the 70s, much of what you got was male actors staring intensely into someone’s eyes before feeding on them – with probably the distinct exception of Lemora: A Child’s Tale of the Supernatural. The Vampire Lovers crosses both of those lines.

Continue reading “The Vampire Lovers: Film Review”
Alexander Case
film

Scream and Scream Again: Film Review

Amicus Films greatest strength as a studio has been, in their films I’ve previously reviewed (like Tales from the Crypt and Dr. Terror’s House of Horrors) has been their anthology films. Their films were always fairly low budget, but the short form anthology film format allowed them to get good actors in for short narrative works. Scream and Scream Again shifts things by doing a more ambitious narrative, but one which stumbles out of the gate and is fumbled in its execution.

Continue reading “Scream and Scream Again: Film Review”
Alexander Case
Anime

Anime Review: Gundam NT

When I heard about the upcoming release of Gundam NT (or Gundam Narrative) the thought I had coming in was that the film was going to be the kickoff point for the next chapter of the saga of the Universal Century. That, after the conclusion of Gundam Unicorn set up something of a new status quo, this would start a series of films that would basically lay the groundwork for eventually reaching F91, Crossbone Gundam, and Victory Gundam.

Continue reading “Anime Review: Gundam NT”
Alexander Case
film

Film Review: Haxan (1922)

When it comes to horror and documentaries, in the sense of horror films that are deliberately planned to be documentaries, you have two main stripes represented by two big names. On one hand, you have Legend of Boggy Creek, a historical reenactment heavy documentary about a Texarkana cryptid that effectively recounts a variety of local myths and legends in an uncritical manner. On the other hand, there’s Haxan, the film I’m covering today, which is not only a very early work in the documentary genre, it’s also a work that is also very critical of historical accounts of witchcraft.

Continue reading “Film Review: Haxan (1922)”

Alexander Case
film

Film Review: Humanoids From The Deep

Roger Corman is widely recognized as a producer who launched the careers of numerous writers, actors, and future directors. He’s also widely recognized as a producer who churned out numerous exploitation films of a wide variety of stripes almost like clockwork, on the cheap, and without much concern about the craft.

This leads to the problems with Humanoids from the Deep. Part of this film is a very well done horror creature feature, with incredibly suspensefully shot sequences, and is a film that is willing to straight up kill off a kid and several dogs very early in the film. It’s also a film where Roger Corman decided to fire the film’s original director, Barbara Peeters, because he wanted the film’s rape scenes to be more explicit – so he handed those sequences off to the second unit director, and the film is lesser because of this. Continue reading “Film Review: Humanoids From The Deep”

Alexander Case