The Vampire Lovers: Film Review

Hammer Films has always had some form of sexual content in their movies, generally in the form of various generic barmaids with cleaving-accentuating outfits being menaced by some form of monster (usually Dracula, but occasionally a werewolf or Frankenstein’s monster. However, due to Hammer’s frequent clashes with the BBFC, never with actual nudity. Similarly, while critical discussion of vampire fiction has discussed a degree of homoeroticism, up until the 70s, much of what you got was male actors staring intensely into someone’s eyes before feeding on them – with probably the distinct exception of Lemora: A Child’s Tale of the Supernatural. The Vampire Lovers crosses both of those lines.

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