While Sir Christopher Lee was generally closely associated with Hammer films, his career there was often tied with three main kinds of roles. There was his stint as Frankenstein’s Monster and the Mummy, where in The Mummy’s case you couldn’t tell it was him, and in case of the Monster, the character was not as well spoken as his literary counterpart. There were a variety of genteel, semi-posh aristocrats who were calm and reserved, even if they had their own forms of menace (and I’m including Fu Manchu in this). And then there was Dracula – arguably his most famous role, full of animal magnetism, elegance, and menace, but quite frequently very little dialog to sink Lee’s teeth into (pun intended). Rasputin: The Mad Monk gave Lee a character with all the magnetism of Dracula, but with an incredibly solid script to work with.

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