Raining In The Mountain: Film Review

It’s been a while since I’ve reviewed a King Hu movie, and since another of his Taiwanese films, Raining in the Mountain, has been available on the Criterion Channel, I figure it’s time to revisit this film – and it’s arguably a little more Buddhist than his other film of the same year (also shot in Korea), Legend of the Mountain.

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In The Line of Duty 4: Film Review

I’m not a fan of Auteur Theory. Movies, television, and video games have so many people involved in the process of creating them that putting all the weight of a work’s success on a single person weakens the contributions of everyone else in the project. That said, a good director can make a world of difference on a film, not because of their sole artistic vision, but because of the other contributors who they can ask to take part in the project because of their own past experience. Such is the case with In The Line of Duty 4, which has Yuen Woo-Ping in the director’s chair, which in turn makes a world of difference.

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In The Line Of Duty 3: Movie Review

The In The Line Of Duty series of films is kind of odd as far as film series go. It’s not like the Zombi or the Italian House series – where you had a bunch of directors taking a bunch of desperate films with common elements (zombies or horror films regarding a house respectively), and sticking the label of an existing series of films on them, making for a bunch of films based around a thematic link instead of a narrative link. The first two films in the series – Yes, Madam and Royal Warriors had a thematic link (women police investigators), and a cast link (Michelle Yeoh), but no character linkage, and otherwise did not share a common brand. However, over the course of re-releases and alternative titles, both of those films were re-branded as being the first part of a series of films known as “In The Line of Duty” – with In The Line of Duty 3, from 1988, being technically the third part of that series, but the first to codify the “brand”.

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Bury Me High: Film Review

I love martial arts films – particularly those from South East Asia (starting with Hong Kong but expanding over time to Thailand, Korea, and Malaysia), thanks to role-playing games – with two, in particular, starting me down this path.

The first was Dragon Fist by Chris Pramas, which seeded my love for wuxia. The other was Feng Shui, which expanded my love to the entire Ur-genre. However, when trying to sell people on Feng Shui, I had to downplay why the game had that title – the concept of a variety of factions from through history, past and future, doing battle over “Feng Shui Sites” – places of great magical power where those who hold them can shape the flow of destiny. If I had seen Bury Me High, I would have had a lot more confidence and just told people to watch this instead.

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Dragon Inn (1967): Film Review

When I reviewed Come Drink With Me on the blog, I described it as a “Wuxia Western,” as the initial plot of the film – with Golden Swallow going to rescue her brother from bandits holed up in a monastery – could easily be the plot of a western. It is only with the introduction of Drunken Cat’s plot that the wuxia elements come to the fore. Dragon Inn, by comparison, maintains a better balance of the concepts, melding them together to make a cohesive whole.

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Film Review: Magnificent Warriors

Magnificent Warriors is another of the early films in Michelle Yeoh’s career – made a little before Royal Warriors. As with Royal Warriors – the film has Michelle Yeoh in the lead, along with another male co-lead in a similar action role, and the third male lead being a comic relief character. However, that’s pretty much where the similarities end. Continue reading “Film Review: Magnificent Warriors”

Film Review: Mr. Vampire (1980)

Jackie Chan, as a performer, is frequently compared with Buster Keaton and, as I’ve mentioned in my own review of Police Story at Letterboxd, Charlie Chaplin.

Well, Mr. Vampire, a martial arts horror-comedy film produced by Jackie Chan’s friend and fellow member of the Five Little Fortunes, is what I’d probably describe as the Hong Kong equivalent of the Abbott and Costello Meet… movies. Continue reading “Film Review: Mr. Vampire (1980)”