Well, you all know that I like Pink Floyd. I’ve reviewed their famous concert at Pompeii, as well as a documentary on the band’s history. Well, in the early 80s, The Floyd put togeather a film based on their hit album The Wall, to try and bring the pagentry and imagery from the show to audiences who wouldn’t have had an opportunity to see it. Now, the execution of the concept changed over time, but it stuck with the album’s plot. The question is: did it work?
The Premise: Rock musician Pink (played by Bob Geldof, making his film debut), is undergoing a nervous breakdown in his hotel room. As he goes mad, he looks back on his life, and at the circumstances that brought him to this point, starting from the death of his father in the second world war.
The Good: Gerald Scarfe’s animated sequences are excellent. One of the things about the Live in Berlin concert that didn’t quite work with me was the fact that we didn’t particularly get to see many of Scarfe’s animated sequences. We got a good look at “Goodbye Blue Sky”, and “The Empty Spaces”, but that’s it. Here we finally get to appreciate them in their full glory. Read more
Pink Floyd: Reflections and Echoes aims to be the comprehensive documentary on the history of the band, covering its history from it’s very beginnings as a Psychedelic live band to their final performance at Live 8, and it mostly succeeds. However, some serious flaws in the presentation prevent the series from achieving greater heights.
Call me pretentious (“You’re Pretentious”) but I like Progressive Rock. I count Rush, The Moody Blues, Horslips, and Jethro Tull, and Pink Floyd among my favorite bands). I grew up on the middle 3, and picked up the former and latter up as I grew older. I saw Rush live in concert last year when they came to Portland to play the Clark County Amphitheater, and have watched Pink Floyd’s concert DVD Pulse. However, I had not yet seen Floyd’s most famous concert video – their performance in Pompeii, with their “classic” lineup, at least to American eyes and ears – Gilmour, Mason, Waters and Wright – most American listeners, especially nowadays, would be not be familiar with any Floyd’s earlier material with Syd Barrett; they’d be familiar with Barrett’s influence on the group, but they would not have actually listened to the band’s two albums with Barrett.
So now, thanks to the wonders of NetFlix, I have finally gotten around to watching the Pink Floyd Pompeii Performance, and I’d say it’s good. The DVD though, is a more than a bit of a mixed bag.