Cropped cover of Food Wars Vol. 1

When I reviewed Today’s Menu for Emiya Family, I was impressed not just by the charm of the story, but how well the anime depicted the act of cooking – how well it showed its work. It was a manga about family meals. This wasn’t just represented by the choices of food prepared in the work, but on how the series depicted eating. However, Food Wars Volume 1, which I’m reviewing today, kicked off a sort of boom of cooking anime and manga that lead to series like Emiya Family, and Food Wars could not be more different.


Shounen fight anime and manga, in the past few decades, has developed a very definite style from Dragonball (and Dragonball Z) on – no matter the tone, the series tend to have a bright color palette for both characters and for the overall visual style of the series. Things might get dark and stormy in bits with narrative and tonal weight, but the colors for the characters themselves will maintain that color. You’re never going to see Naruto, for example, putting on an all black traditional ninja outfit for a really serious or dramatic mission. This gives Soul Eater a visual edge that really makes it stand out from the pack. (more…)

Mushibugyo is a series that has a real issue with tonal whiplash. There are anime series that have mixed creepy elements and comedy with tremendous effect – Ghost Hunt is an anime series adapted from a light novel with some strong comedy elements, which doesn’t overlook the creepier and more horrific elements of the narrative, with a well done escalation into further horror.

Mushibugyo doesn’t do that. Mushibugyo starts off with super-colorful characters, an over-enthusiastic and incredibly dense shonen protagonist, and numerous fanservice jokes, but which also contains some surprisingly horrific elements created to the show’s primary menace. (more…)