It’s interesting looking at Guns of Navarone in the context of the World War 2 genre of films. It’s contemporaneous with movies like The Longest Day, which I mentioned in my review of that movie that it’s something of a last hurrah of old Hollywood. Guns of Navarone feels like a middle ground. On the one hand, most of the film’s cast fit in that general age range (and also has Gregory Peck). On the other hand, it’s a little more cynical than that film – but it is not as cynical as a Bridge Too Far was (and considering the historical context, than this film could be). However, it still makes for a very solid film.Continue reading “Guns of Navarone: Film Review”
This time I’m taking a look at the first of the film adaptations of Cornelius Ryan’s books, with The Longest Day. Continue reading “Film Review: The Longest Day”
“$NAME_OF_FILM” on/in a “$LOCATION_OR_VEHICLE” is a pretty good reductive way to describe some films. Under Siege is Die Hard on a Battleship. The Star Trek: The Next Generation episode “Starship Mine” was pitched as Die Hard on the Enterprise. The Magnificent Seven is The Seven Samurai in the old west. While it’s reductive, it’s not necessarily bad, nor is it necessarily a derogatory way to describe a film. Thus, don’t take it as a minus when I say that Fury is Das Boot (which I’ve previously reviewed) in a Sherman Tank. Continue reading “Film Review – Fury (2014)”
This week I’m doing another film review – this time of a World War II Ensemble film – Is Paris Burning?
Naturally, this includes some discussion of this sub-genre as a whole. Continue reading “Film Review – Is Paris Burning?”
This week I’m taking a look at another video game, with the Nazi Face-Punching simulator in The Saboteur. Continue reading Video Game Review – The Saboteur