Maison Ikkoku is, like a fair number of Rumiko Takahashi’s manga from this period (including Urusei Yatsura and Ranma 1/2) – very sitcom esque. It finds a status quo, will venture away from it at the start of an arc, and will generally will return to whence it came at the end, with some forward movement, but not necessarily a lot. Such is the case with the second and third volumes of the manga, where after introducing the cast in the first volume, it’s starting to find its rhythm.

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The Legendary Monsterverse has, unlike the last Western attempt at doing a Godzilla film with the 1996 film, has lead from the get-go with the monster fights. Even Kong: Skull Island had the climax of the film be a fight between Kong and the largest of the Skull Crawlers. So, when the film series made it clear that yes, Kong and Godzilla were taking place in the same universe (both with the involvement of Monarch and Skull Island‘s stinger), it was clear that somewhere down the road – Godzilla and Kong were going to have to rumble. And when the time comes for that brawl, you might as well make the main event the title – Godzilla vs Kong.

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If WandaVision was an experiment within an experiment, Falcon and the Winter Soldier is a much more conventional limited TV series. It’s still very much a MCU work, with the higher budgets that come with a show like this. However, if you were expecting some more standard superheroic action, this is certainly the show for that. That said, this is, when all is said and done, a show in the vein of the Captain America movies, and like Cap’s comics counterpart, while all comics are political to some degree, Captain America comes to the table planning to be overtly political, with things to say, so to really discuss this show, I’m going to have to say upfront, I’m going to have to get into spoilers – starting below the cut.

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