AMAIM is a show where the first half of the series had some questionable issues, but ended on a really strong note that left me coming back for the second season. The second cour of the series, while it does have some strong concepts, has some significant problems with the finale that makes it not quite work.
Continue reading “AMAIM: Warrior at the Borderline (Season 2): Anime Review”
Sometimes you get an anime series that is so tremendously charming that there’s basically nothing bad you can say about it except that you want more of that series. Spy X Family (which I verbally call “Spy Family”) fits that criteria.
Continue reading “Spy X Family Season 1: Anime Review”
When I watched the first season of Science Fell In Love So They Tried To Prove It, I started out by binge watching the show, and I found the show was basically one joke repeated with some variations. Consequently, when I switched to watching just one episode or so a week, I got a lot more enjoyment out of it. When season 2 was announced, I decided to watch this week to week, figuring that that would be the optimal way to get the most enjoyment out of it. It was – but this also lead to me running into a tonal shift brick wall on the last episode of the series, and without any significant foreshadowing. So, this review is going to have to get into some spoilers for the last episode.
Continue reading “Science Fell In Love Season 2: Anime Review”
I have generally avoided doing a lot of Isekai anime. I’ve watched and reviewed the first season or so of Sword Art Online, and all of Log Horizon and My Next Life As A Villainess to date. However, otherwise, this means that the closest I’ve come to Reverse Isekai has been Miss Kobayashi’s Dragon Maid, which is using that particular genre definition loosely. So, Ya Boy Kongming! initially slipped under my radar… until I heard the OP – and then I had to see it. I made the right decision.
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Sometimes you stumble across an anime that makes you realize that if more people had watched it the genre it’s a part of could have become tremendously different. Den-noh Coil is one of those anime series. If this show had gotten a better release when it came out, if it had gotten better exposure, this could have been a show that redefined the perception of the cyberpunk genre the same way that Bubblegum Crisis, Ghost in the Shell, and Akira did. Sadly, because of the issues with its original release, it hasn’t really hit an option for mainstream visibility until now. Hopefully the authors who need to see it will get a chance to, and will be equally inspired.
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This time I’m taking a look at the anime that came out before 2019’s Boogiepop and Others, but is set after the novels that anime adapts.
Continue reading “Anime Video Review: Boogiepop Phantom (2000)”
A while back I reviewed the previous 100+ episode Legend of the Galactic Heroes anime (after reviewing the novels in turn). After a short break, I’ve figured now is as good a time as any to check out the Season 1 of the new series – appropriately subtitled “Die Neue These” or “A New Thesis” and see how this new adaptation of the show fared in comparison to the original series.
Continue reading “Legend of the Galactic Heroes: Die Neue These – Season 1: Anime Review”
Several years after the first season of the Ultraman anime came out, we’ve finally gotten our second season of the show – this time only half the length of the first season, with a second season the same length coming out next year (giving a whole new meaning to the concept of the “Split Cour”). The question becomes “how well does a shorter, tighter narrative handle the series.
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2019, 3 years ago, was the first time that the Boogiepop novels had gotten an anime adaptation. It’s time for me to give my thoughts before I get into the earlier Boogiepop anime series.
Continue reading “Anime Video Review: Boogiepop & Others (2019)”
Moving on to the next of the anime series of the Spring Season that I’ve been watching – as of this writing I’m about 4 episodes into Shikimori’s Not Just a Cutie – one of the new rom-com anime of the Spring 2022 Season that caught my interest. I’m about 4 episodes in so far, which is far enough to give me a pretty good feel of the show’s dynamics.
Continue reading “Shikimori’s Not Just A Cutie: Quick Thoughts”
Outside of the shows that carried over from the Winter Season (like Requiem of the Rose King), there were a couple earlier series that I reviewed that are getting second seasons, that I feel like giving some quick thoughts on – partly to cover for time on the blog (because, again, work wrapping up) and partly because honestly, I haven’t done much with the “As They Air” thing for ongoing series before and this might be worth doing for the long term. So, here are the two Season 2-s of anime I watched from earlier seasons that I’m checking out in the spring.
Continue reading “Spring 2022 Anime: Season 2-s”
Unfortunately, with my current work wrapping up, this has played hell with keeping things caught up on my daily blog posts – so I’m having to grab some ideas more or less off of the cuff. In this case – with my regular anime viewing, I’ve gotten about 3 episodes into one of this new season’s most popular shows – Spy X Family, and I figure it’s worth breaking from my usual tendencies to give my thoughts on the first 3 episodes of the show.
Continue reading “Spy X Family: Quick Thoughts”
I’m a sucker for an anime that has an element of instruction and education to its premise, and as someone who also appreciates cosplay, but who does not cosplay himself, I’m interested in the craft behind it. So going into the Winter 2022 season, I’d already suspected that My Dress-Up Darling would be my jam on that front. What I wasn’t expecting was to get a tremendously sweet love story along the way.
Continue reading “My Dress-Up Darling: Anime Review”
Boogiepop Phantom was an anime that came out in 2000 that very much served as a counterpoint to Serial Experiments Lain in the eyes of American anime fans. Both works are dark psychological suspense works containing conspiracies and supernatural elements. Both works are heavy on suspense, and depict their high school-aged protagonists dealing with a heavy weight of intense personal dread, psychological pressure, and often with that trauma based on the burdens of society and how they play on their peers.
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Lupin The Third: Part 6 is, unfortunately, a mess. Unlike previous Lupin series, this one neither has a serialized focus (like with Woman Called Fujiko Mine) or a primary episodic focus (like Parts 1 through 3). Instead, the series tries to be a hybrid, sort of like Part 4, but instead of the stand-alone episodes fitting in the overall continuity, they go off on their own directions in ways that are very hit-or-miss. This is all aggravated by splitting the show into two different serialized plots – one per cour.
Continue reading “Lupin The Third Part 6: Anime Review”
Bakemonogatari is my first introduction to Nisioisin and to Shaft as an anime studio. I had tried to watch the show in fansubs when it first came out, as it hadn’t been licensed, and I remember being struck by the visuals of the series and the level of visual style – I could tell that the show was doing something – but I couldn’t tell yet, and I ultimately decided that I’d get around to it once the show had finished. And then I forgot about it entirely until this past year, when I decided it was time to finally get around to watching the damn thing – and I’m glad I finally have.
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Tekkonkinkreet is an anime that I’ve been meaning to watch for years, but just never gotten around to it. It’s a film from Studio 4*C and fits a sort of middle ground between their more art-for-art’s sake films like the Genius Party anthologies and Mind Game, and the more clear-cut adaptations like their Berserk trilogy. It’s also an outlier in that it’s an anime film that is directed by an American (and not a Japanese American either) who didn’t come up through the industry.
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Blade Runner, as a franchise, has had a lasting impact on anime, particularly in the Cyberpunk genre. In the lead-up to Blade Runner 2049, an OVA – Black Out – was released to expand the setting. As a further part of those efforts after 2049’s release, Adult Swim & Crunchyroll collaborated with Shinji Aramaki & Kenji Kamiyama to put out a CGF animated series set between the Black Out OVA and 2049 – Blade Runner: Black Lotus. Crunchyroll & Adult Swim’s last collaboration – Fena: Pirate Princess, was somewhat mixed, and unfortunately, this series, Blade Runner: Black Lotus, is much the same.
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My Neighbor Totoro is, undoubtedly, one of Studio Ghibli’s (in general) and Hayao Miyazaki’s (in particular) most beloved films. IF there was a film that established, clearly, Miyazaki as the “Japanese Walt Disney” to international audiences outside of anime fandom, this was it, whether Miyazaki wanted the title or not.
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It is a long-standing trope in romance fiction to have an author protagonist whose own romantic inexperience drives them into the relationship that is the focus of the plot. Normally, the way this premise works is that the author has a degree of self-awareness of their own inexperience, in turn leading to them being self-conscious about it as they look for a partner. Monthly Girls’ Nozaki-Kun, however, is not one of those stories. Oh, the male lead is inexperienced, but he’s also a grade-A Wholesome Himbo.
Continue reading “Monthly Girls’ Nozaki-Kun: Anime Review”
Haven’t done an unboxing in a while – I’ve received my copy of the Neon Genesis Evangelion Ultimate Edition, so let’s take a look at what’s on the inside of the box.
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Well, I’ve reviewed all of the Legend of the Galactic Heroes novels, so now it’s time to review the OVA series.
Continue reading “Anime Video Review: Legend of the Galactic Heroes”
Now that I’ve gotten the larger scope spectrum of fantasy anime out of the way, it’s time to get into some specifics for three different anime and manga series and what GMs and DMs can take from them.
Continue reading “The Anime Appendix N: Fantasy (Part 2)”
If AMAIM: Warrior at the Borderline was the mecha anime series from this season that was trying to sell hesitant viewers on Japanese conservative talking points in an anime context, Rumble Garanndoll feels much more like a move in the opposite direction. It’s a mecha anime series, leaning more towards the super robot side of things, which also feels like it’s more overtly anti-fascist, but with a more comedic, otaku-focused take.
Continue reading “Rumble Garanndoll: Anime Review”