Category: Anime

Studio Trigger’s more recent fare is interesting from a critical standpoint because it’s very clear that they are a studio that does not shy away from being political and generally attempting to be progressive. They’re also a studio who, rather than directly addressing Japanese politics, tends to address their narratives through the lens of American politics, often through the X-Men books, which means that due to their distance from American politics, they can stumble into some rakes that are otherwise avoidable, and BNA: Brave New Animal is a great example of this.

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The Akudama of Akudama Drive; Clockwise from Top: Doctor, Courier, Brawler, Cutthroat, Hacker, Hoodlum. Not pictured: Ordinary Person/Swindler

We occasionally get new Cyberpunk anime every now and then, though usually, the protagonists of those series have some degree of… license by the establishment. The Major in Ghost in the Shell is a government agent. So are the protagonists of Cyber City Oedo 808. The Knight Sabers from Bubblegum Crisis are superhero mercenaries who contract with the government. Rare are the cyberpunk anime that have protagonists who work for hire, not only outside the law but in violation of the law. Akudama Drive is one of the series that fits that theme, and utterly nails the concept.

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Yuna, the protagonist of Kuma Kuma Kuma Bear

I’ve generally avoided a lot of the more OP Isekai Anime series – no wish fulfillment shows with characters that have a superpowered cheat ability getting ported into a fantasy world modeled on a MMORPG in my watched list. Oh, there are Isekai shows on there, and even ones with people who have abilities that are somewhat overpowered (Log Horizon comes to mind). However, all of those are ones that are cases where an existing power from the game’s world is applied differently. Kuma Kuma Kuma Bear is the first show with this concept that I’ve ended up watching, and it’s probably the best place to jump in on this idea.

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Iwa-kakeru kind of got a bad break. This year was the year where we were supposed to get the Tokyo Summer Olympics and with it, as one of the new events, Bouldering – or Sport Climbing. So, Iwa-kakeru would have been placed to perfectly strike when the iron was hot, adapting a manga about this brand new Olympic sport, to rise off of the heat of that Olympic fever. And then COVID-19 happened and the Summer Olympics were pushed back at least one year. So, the question becomes whether Iwa-kakeru can hold up without that boost of Olympic excitement.

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I’ve reviewed most of the anime adaptations of Hayate: The Combat Butler, and reviewed much of the manga that’s been officially released in English to date (in spite of the official US release being several years behind the Japanese release – which has since ended). When I learned that author Kenjiro Hata’s latest manga, Tonikawa, was getting an anime adaptation, that show quickly ended up on the list of shows on my watchlist for that season, and I was not disappointed.

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I’ve talked a bunch on this blog about my having Autism, and how my Autism informs media I consume. Well, one of the things that my Autism does when it comes to shaping what I do with my personal time is it makes me something of a homebody. I generally need to get a push to go out to do some activities. It doesn’t have to be a hard push, but that push has to be there. This lead to me resonating a lot with Uzaki-Chan Wants To Hang Out, one of the slice of life rom-com anime from the Fall 2020 season.

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I generally end up watching about one fanservice show a season, and for Summer 2020, that show for me was Super HxEros (yes, there’s fanservice in Uzaki-Chan, which I’ll be reviewing later, but that’s not the focus of the show). The show promised a pastiche of the Super Sentai franchise, with a side of risque sensibilities. Ultimately, I’d say the show started out promising, but by the end of the series, I think its thirst overwhelmed its good taste.

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At the start of this year, I reviewed the first season of No Guns Life, an hard boiled cyberpunk detective anime that brings the more noir elements of the cyberpunk genre to the fore, while still retaining some shonen action. The first season put a lot of focus on Juzo, the protagonist, working on a variety of cases that built out the world of the setting, but not necessarily the backstory. Season 2 instead shifts the focus back to Juzo, along with some of the supporting cast and their connections to him.

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Millionaire Detective: Balance Unlimited is the anime series about a co-protagonist who buy anything except a break for their show. It’s a show that came out the year that officers from Minneapolis Police Department murdered George Floyd, leading to a new wave of Black Lives Matter protests that not only spanned not just the United States, but Japan as well. It’s a show that got postponed for a cour due to production difficulties from COVID-19. Consequently, as a part of that, it’s a series that wrapped up its season just in time for the officers who murdered Breanna Taylor in Louisville, Kentucky to not face charges for their actions. And it’s about a co-protagonist who uses their astronomical, Nagi Sanzenin levels of wealth to get away with breaking the law under the auspices of having a badge.

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I love anime that are somewhat educational about something. While Hajime No Ippo has a very over-the-top depiction of boxing, I felt like I came away from it with a better appreciation of the sport. Shirobako and Animation Runner Kuromi gave me a better appreciation of what goes into anime (though again, both works are romanticized), and so on. So, this past season, I decided to give the anime series Diary of Our Days at the Breakwater a shot for a similar reason, and I’m very glad I did.

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Season 1 of Fruits Basket stopped at about the same place that the previous adaptation of the show had done – after Tohru had seen Kyo’s true form for the first time, and unlike others before had refused to reject him – and had indeed accepted and embraced him (both literally and figuratively) in spite of this, along with Tohru getting to, albeit briefly, meet Akito for the first time. Season 2 enters some new ground (as far as anime adaptations are concerned), diving a little deeper into the inter-relationships between members of the Zodiac, Akito, and the larger Sohma family.

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This past season of anime started with me having about 6-7 different series I was planning to watch… and then COVID-19 hit and with postponements, that number dropped down to two. One of those was Fruits Basket Season 2, which is still ongoing, but the other was a new Isekai series based on a Light Novel, and one with a premise that really caught my interest – My Next Life as a Villainess: All Routes Lead to Doom! (or HameFura for short).

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I have some significant gaps in the classics of Toonami. I watched most (though not quite all) of Gundam Wing when it first aired. Same with Outlaw Star, and a fair amount of Dragon Ball Z (at least through the end of the Namek arc). However, I never really watched much of Yu-Yu Hakusho, and I never got around to watching any of The Big O. Maybe it was the title of the show – it certainly wasn’t the aesthetic – the retro-futuristic style grabbed my interest. However, it wasn’t until recently that I finally got the opportunity to watch The Big O in its entirety – and it’s an interesting show to unpack.

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After completing Super Robot Wars V a year or so ago, I decided I wanted to watch some of the anime series from that show, particularly before moving on to X (along with wanting to watch a couple of the shows from X as well to set up the story for comparison). That, combined with the fact that I’d been watching various anime series on weekends with my parents, and that my mother had watched the original first season of Space Battleship Yamato while growing up in Hawaii, lead me to bump the reboot of that series up on my list.

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