Bury Me High: Film Review

I love martial arts films – particularly those from South East Asia (starting with Hong Kong but expanding over time to Thailand, Korea, and Malaysia), thanks to role-playing games – with two, in particular, starting me down this path.

The first was Dragon Fist by Chris Pramas, which seeded my love for wuxia. The other was Feng Shui, which expanded my love to the entire Ur-genre. However, when trying to sell people on Feng Shui, I had to downplay why the game had that title – the concept of a variety of factions from through history, past and future, doing battle over “Feng Shui Sites” – places of great magical power where those who hold them can shape the flow of destiny. If I had seen Bury Me High, I would have had a lot more confidence and just told people to watch this instead.

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Spider-Man: Into the Spider-Verse – Film Review

Miles Morales taking a leap of faith.

When I saw The Lego Movie, I was impressed with how the film gave me a false impression of stop motion with 3D animation, and I enjoyed the comedy of the film. While I felt that Lord & Miller’s particular flavor off comedy wouldn’t work for Solo, but when I learned they were doing a Spider-Man movie, my interest was piqued, but I didn’t get around to watching Into The Spider-Verse until Covid-19.

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Dragon Inn (1967): Film Review

When I reviewed Come Drink With Me on the blog, I described it as a “Wuxia Western,” as the initial plot of the film – with Golden Swallow going to rescue her brother from bandits holed up in a monastery – could easily be the plot of a western. It is only with the introduction of Drunken Cat’s plot that the wuxia elements come to the fore. Dragon Inn, by comparison, maintains a better balance of the concepts, melding them together to make a cohesive whole.

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