I’ve reviewed several anime series in the past about Otaku getting dumped on by society – Rumble Garandoll & Akiba’s Trip both put their focus on the social stigmatization of Otaku by larger Japanese society. Rumble Garandoll put its emphasis on more conservative elements of culture attacking Otaku based on ablism some of the more progressive themes in some Otaku-targeted works (which is not certainly monolithic – I’ve covered some more conservative works here). Akiba’s Trip’s climax called out the hypocrisy of the Japanese government touting anime and other media targeted toward Otaku as part of the government’s soft-power initiative on one hand, while often the same political party (and same politicians) who champion that initiative demonize otaku (either directly or indirectly) through their policies and their public speeches (like the whole “Herbavore Male” thing that was going on for a while). Magical Destroyers takes a different tack and focuses on otaku self-loathing.