When it comes to manga about various real-world topics, there is an educational element to the work, but it’s usually ancillary to the main thrust of the story. Hajime No Ippo/Fighting Spirit is a boxing manga, and Hikaru No Go is a Go manga, and both use elements of their actual sports or games in the narrative of the story itself, but the sport and game in question are secondary to the actual thrust of the story from the very beginning.
There are a few manga which take the opposite tack – put the main thrust of the story on the thing they’re talking about, and then will bring in other plots to give additional structure of the story. On the seinen side there is Drops of God, which is primarily a manga about wine, but which incorporates side plots to keep things from getting monotonous – and there’s also the show I’m reviewing – Moyashimon. (more…)
Mushibugyo is a series that has a real issue with tonal whiplash. There are anime series that have mixed creepy elements and comedy with tremendous effect – Ghost Hunt is an anime series adapted from a light novel with some strong comedy elements, which doesn’t overlook the creepier and more horrific elements of the narrative, with a well done escalation into further horror.
Mushibugyo doesn’t do that. Mushibugyo starts off with super-colorful characters, an over-enthusiastic and incredibly dense shonen protagonist, and numerous fanservice jokes, but which also contains some surprisingly horrific elements created to the show’s primary menace. (more…)
Crime Dramas tend to be serialized, unless they’re not. Yes, that sounds incredibly silly, but it’s generally true. The majority of crime dramas, whether of the soap opera variety or the serialized drama take the Dragnet/Law & Order tack of one case per episode, and it’s wrapped up at the end. Starting in the late 90s we finally started seeing much more serialized procedurals which would stretch a case out over several episodes, to a whole season, to even multiple seasons – with the most notable example of this being Homicide: Life on the Street.
Why am I bringing thus up with a Forensic Detective series that I’ve already reviewed the first two seasons of? Well, that’s because the first two seasons stayed in the standard episodic vein. This season, however, shifts gear to our first serial storyline. Specifically, the case of the cannibal, secret-society hating serial killer the Gormogon. This review will contain some spoilers. This is your warning. (more…)
If you’re reading this, and live in the United States, you know what the Peter Gunn theme is. You’ve heard it played by your High School Band (or played it yourself), you’ve heard it while playing Spy Hunter, or in a few movies. If say you haven’t heard the Peter Gunn theme before, then you’re probably lying. However, if you said you hadn’t watched Peter Gunn, I’d probably believe you. For a TV series with one of the memorable themes in the history of television, it’s surprisingly not well known outside of the Baby Boomer generation.
My decision to watch this series comes from my appreciation of hard-boiled detective stories. I got hooked on the genre when I was a kid, through the “Tracer Bullet” persona that Calvin would occasionally take on in Calvin and Hobbes strips. Those strips would later lead me to the works of Raymond Chandler and Dashiell Hammett, and other works of the hard-boiled detective genre (along with works which were a pastiche of the genre, like the Max Payne video games, and like Frank Miller’s Sin City). However, while the hard boiled detective often could be found on the printed page, I couldn’t find him often, necessarily, on the screen, big or otherwise. The film adaptations and homages were there – Blade Runner, Maltese Falcon, The Big Sleep, Chinatown, not to mention TV series like the anime Cowboy Bebop, but considering the prolific amount of work in writing in this genre, the dearth seemed surprising. (more…)
As you may have gathered from my review of the first season, I liked the start of this. I liked the Forensic Anthropologist take on the Science Detective show. I liked the characters, and I liked the stories in the show. Now I’ve watched Season 2, and the show has slightly changed it’s focus, to a certain extent. Specifically, in this season the focus has changed from being heavily based around the murders, with the character focused side plots orbiting around it. Instead, with this season, the show has balanced itself out, like a binary star system (which is thus far the geekiest reference I’ve ever made), between the mysteries themselves and the portion of the plot based around the lives of the people working with Bones.
This is not a bad thing.
To get into the details, this season of Bones has two little side arcs to it. The first relates to the mystery surrounding Bones’ ex-bank robber father, who is still alive but missing, why he and Bones’ mother ran away from their children all those years ago. The other focuses around the blooming romance between Hodgins and Angela, which gets progressively serious over the course of the season. Both of these side plots are pretty well executed. I was a little worried about how they’d handle the arc around Bones’ father, but it worked out well. (more…)
If you’ve been following my reviews on Bureau42, you may know that I enjoy superhero comics, particularly judging by my reviews of DC: The New Frontier and similar works, as well as allusions to superhero comics in other reviews I’ve written. So, I missed Justice League when it first aired on TV. I missed it when it came out on DVD. However, now it’s finally out on Blu-Ray, and I’ve finally seen it. I’m pleased by what I’ve seen. My mind was not blown, but I did enjoy what I saw.
The series does what some of the best Justice League comics runs have done, such as Grant Morrison’s, and kept the league to a tight lineup: Batman, Superman, Wonder Woman (II – Diana Prince), The Flash (technically The Flash II as we see Barry Allen’s origin story, but we’re not doing prior incarnations here), Green Lantern (IV – John Stewart), Hawkgirl (I – Shayera Hol) and the Martian Manhunter. (more…)
I enjoy mysteries. I read Sherlock Holmes novels as a kid. I read pulp detective novels and Agatha Christie novels as a teen. As a grown up I’ve found myself drawn to the current trend of forensic detective TV series, like CSI on CBS. After missing the boat early on, I’ve picked up the first season of Bones, and have given it a watch.
The show focuses on Dr. Temperance “Bones” Brennan (played by Emily Deschanel), a woman with a doctorate in Forensic Anthropology who works at the Jeffersonian Institution (not-the-Smithsonian). She’s also a novelist, and probably on-spectrum (and it doesn’t help her mental state that she was knocked around the foster kid system for a while). She’s partnered with FBI Special Agent Seely Booth, an ex-marine sniper (played by David Boreanaz), a more intuitive kind of guy. Togeather–wait for it–they fight crime! (more…)
This week we finish up the Burn Notice reviews (for now), with a review of the show’s second season. I haven’t watched Season 3 yet, but once I do, you can expect a review.
Following the conclusion of Season 1, Michael finds a few answers about who burned him – sort of. To be more accurate, he’s lost the FBI surveillance and instead has found himself in the care of Carla, his new handler. So, while now trying to make ends meet by helping the helpless, he now must also try to find out who Carla is working for, and what they want to do with him. (more…)
Yes, I am aware that I didn’t finish my recap of Season 1 of Burn Notice. To make up for it, I’m going to review the entire season (and season 2 besides, on a later week). However, we need to begin at the beginning. There will be spoilers, but they’ll be below the cut. I’ll try doing some spoiler-guarding stuff this time.
I’ll let the star of the show take this one (courtesy of IMDB):
Michael Westen: [voice-over] My name is Michael Westen. I used to be a spy. Until…
voice on phone: [phone rings] We got a burn notice on you. You’re blacklisted.
Michael Westen: [voice-over] When you’re burned, you’ve got nothing: no cash, no credit, no job history. You’re stuck in whatever city they decide to dump you in.
Michael Westen: Where am I?
Fiona Glenanne: Miami.
Michael Westen: [voice-over] You do whatever work comes your way. You rely on anyone who’s still talking to you. A trigger-happy ex-girlfriend…
Fiona Glenanne: Shall we shoot them?
Michael Westen: [voice-over] An old friend who used to inform on you to the FBI…
Sam Axe: You know spies… bunch of bitchy little girls.
Michael Westen: [voice-over] Family too…
Sam Axe: [phone rings] Hey, is that your Mom again?
Michael Westen: [voice-over] … if you’re desperate.
Madeline Westen: Someone needs your help, Michael!
Michael Westen: [voice-over] Bottom line? Until you figure out who burned you… you’re not going anywhere. (more…)
Being that I don’t, generally, listen to popular music, I didn’t watch the Grammy’s this year. Instead, NBC is running a mini-series based off the French comic book XII. I decided to give this show a try, mainly becuse I hadn’t read the comic book, hadn’t played the video game based off the comic book, and, frankly, I wanted to give a mini-series based off a non-Supers comic book that wasn’t from the US or Japan a shot. I was pleasantly surprised. There are some spoilers below the cut, so be warned.