I’ve fallen behind a bit on my reviews of the Ultraman manga, from the last one I’ve reviewed. To a large part, that’s because I’ve hit a stretch of the manga that wasn’t covered in the anime, which feels kinda weird – considering how important this stretch is.
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Several years after the first season of the Ultraman anime came out, we’ve finally gotten our second season of the show – this time only half the length of the first season, with a second season the same length coming out next year (giving a whole new meaning to the concept of the “Split Cour”). The question becomes “how well does a shorter, tighter narrative handle the series.
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This past year or so we had a fair number of anime series paying tribute to classic Tokusatsu series from Tsuburya Productions. The most high profile of these was S.S.S.S. Gridman, with Netflix’s Ultraman Season 1 (adapting the manga) coming out earlier, and flying under the radar. There are a few reasons for that – Gridman had Trigger’s rep going for it, instead of being a totally CG anime series, and was released in English in a more conventional manner instead of the Netflix binge model. As far as how much each of those contributed – well, I can’t get into specifics without delving into Steiner Math (which I flunked in college). That said, the show is still fun, and worth your time.
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The first four volumes of the Ultraman manga were bookended by the sentence “This is the beginning of a new age.” Volume 5 starts with that sentence, but ends with the sentence fading from the page – and that says a lot about where this volume of the manga ends.
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If you think about it, superheroes have been a part of Japanese pop-culture ever since the post-war period, and in particular the 60s and 70s. Astro Boy is Pinocchio with Super-Powers. Characters like Shotaro Ishinomori’s Android Kikaider and Kamen Rider featured protagonists fighting a supervillain organizations and their superpowered minions, and so on. And, of course, there is the tokusatsu classic – Ultraman from Tsuburaya Productions.
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