Comic Review: The Shadow – Blood and Judgement

I’m something of a fan of The Shadow, both in terms of the radio plays, and in terms of the pulp character. The feature film starring Alec Baldwin holds a special place in my heart for how it combines the two very different versions of the character into one with some success. So, when I ended up having to find a new comic shop after my old one (Ancient Wonders in Tualatin – which was also my FLGS) closed, I found myself in need of a new comic shop. When I found my new one (Comics Adventure in Gladstone)  I ended up checking out the quarter bins in the back, and finding almost all of Howard Chaykin’s 4-issue The Shadow miniseries – Blood and Judgement. I picked that up, and found the first issue on Comixology. Having read it, it’s time to give my thoughts. Read more

Comic Review: Marvel Star Wars – Part 1

Continuing with my run-down of the Star Wars Legends continuity, I’m taking a look at the first chunk of Marvel’s initial run on Star Wars, falling between their adaptation of A New Hope to the start of Empire Strikes Back. Yeah, I said I wasn’t going to cover Marvel Star Wars, but I changed my mind. Read more

Thoughts from my re-watch of Akira

Akira (film) (Photo credit: Wikipedia)

 

I’m re-watching Akira again, for the first time after having seen the first part of Megazone 23. It’s interesting to compare Megazone 23 Part 1 and Akira. Both came out within 3 years of each other – Megazone 23 in 1985, the year I was born, and Akira in 1988. Both have similar leads – biker punks who get in over their heads with sinister government conspiracies. Both series have hawkish military figures who overthrow the elected government in a coup, and both figures are certainly antagonists. However, it’s interesting to see how in Megazone 23, the military figures are clearly evil, while in Akira, the Colonel’s actions are given a stronger justification.

 

This is kind of a spoiler for Megazone 23, so don’t read further if you’re worried about having the story spoiled:
Read more

Manga Review – Hayate The Combat Butler, Volume 7

I have a manga review that’s actually topical for Valentine’s Day next week.

Hayate the Combat Butler, Vol. 7

Hayate the Combat Butler, Vol. 7 by Kenjiro Hata

My rating: 4 of 5 stars

Whenever I’ve had a rough day, and I feel like I can’t remember the last time I laughed, one of the manga or anime I turn to, in order to lighten my spirits is Hayate the Combat Butler. The blend of oddball comedy and reverentially referential humor, along with a willingness to just chip away at that fourth wall blends together well to make an enjoyable comic, and the fact that the characters are incredibly likable really helps to keep me coming back in a way that TV shows like Family Guy, which also relies on referential humor, fails to do. Read more

Manga Review: The Kurosagi Corpse Delivery Service, Vol. 2

The Kurosagi Corpse Delivery Service, Volume 2 by Eiji Otsuka

My rating: 4 of 5 stars

The Kurosagi Corpse Delivery service is a very interesting manga to describe, in terms of being a horror manga that contains elements of the supernatural, but is ultimately bases its horror out of what people do to each other, then it does with the actions of the restless dead – though those elements are there. Read more

Manga Review – King of Thorn, Volume 2.

(Originally Published on Goodreads)

King of Thorn, Volume 2 by Yuji Iwahara

My rating: 4 of 5 stars

This volume is causing the series to risk becoming cluttered, from a plot standpoint. Coming into this volume, the plot had the main driving conflict of “How do these characters, which are almost all infected with a disease that could kill them, survive in this post-apocalyptic world with massive thorny plants that have consumed everything, and freaking dinosaurs?” Read more

Manga Review – Red Hot Chili Samurai Vol. 1

Red Hot Chili Samurai Vol. 1Red Hot Chili Samurai is a manga that feels like it’s not sure what it wants to be. The manga follows samurai Kokaku Sento as he fights various criminals in rural Japan during the Shogunate. Kokaku’s strength and weakness is his dependance on hot peppers, which he eats regularly, and which strengthen him, like Popeye.

Like Kenshin, Kokaku and his comrades, bespectacled Ento, ninja manservant Shou, and girly-girl of action (if that makes any sense) Ran refrain from killing at all times, even if by all rights it doesn’t make sense for them to do so. However, like Samurai Champloo, the series is filled with anachronisms. Ran is introduced wearing spike-heeled knee-high leather boots with stockings and garters under her kimono. Kokaku is also introduced to a young kid who invents the Polaroid camera, the squirt-gun (modeled after the Colt M1911A), and aerosol pepper spray. Additionally, Kokaku wears a distinctive tattoo, something that would have been taboo for a historical samurai.

With the various chapters in this volume, they all have a comedic tone. Even when Kokaku is infiltrating a brothel which is drugging the women with opium (and occasionally over-dosing them), and whose owners are responsible for several murders, the tone of the story tries to stay incredibly light. This leads to a cognitive dissonance, particularly when it comes to more serious subject matter. Hopefully later volumes will take things slightly more seriously, but this volume is simply average. It’s not great, not terrible, just average.

Comic Review – Ultimate Spider-Man Vol. 11: Carnage

Get Ultimate Spider-Man: Carnage at Amazon.com

So, it’s now time to review the Ultimate Universe’s take on the member of Spider-Man’s rogue’s gallery I hate the most. I’m going to say this right now. I hate Carnage. The character is completely unoriginal. He was created to be a darker-and-edgier version of Venom, who was in turn meant to be a darker and edgier version of Spider-Man. The character has essentially no depth. He kills people for no reason. That’s it. He breaks out of where he’s held, kills people until he’s stopped, and wash, rinse, repeat.

Thus, when I picked up this volume, I had my doubts about how they could make this story interesting. Thus, I was pleasantly surprised by how they did succeed. Basically, they managed to pull it off by not directly attaching the character to Venom, but instead to Curt Connors, aka The Lizard. Connors has been, in my opinion, one of the better members of Spider-Man’s supporting cast. This is, for a large part, because he’s a tragic figure. He experiments on himself  in an attempt to develop a way for amputees to re-grow limbs, and ends up turning himself into a lizard-man. Everything the character does is meant with the best intentions, as opposed to villainous figures like Doc Ock and the Green Goblin. Read more

Movie Review – The Punisher: War Zone

Punisher: War Zone movie poster.
Get The Punisher: War Zone from Amazon.com

I have a love-hate relationship with Frank Castle. As someone who got into the pulps, especially characters like The Shadow, before he really got into comics, I never really had a problem with a comic book character who killed criminals. Thus, the Punisher appealed to me a little, as the character had a lot in common with characters like The Shadow, in terms of being a grim or mostly silent vigilante who gunned down gangsters. While I recognized that he had to coexist with various Marvel Super Heroes, I’d kind of figured out the sort of “rule of tiers” that the Marvel U operated on, and I figured that Spidey was generally more occupied with the more dangerous super-villains that Frank couldn’t go up against.

The hate part of the relationship comes from the writer whose currently in charge of writing the Punisher in the Marvel Max books-which is when they’re keeping the character at his street-level feel (sort of). I’m referring to Garth Ennis. Garth Ennis writing style feels like he goes for the shock value too often, and he goes for the low brow too often. His writing style also gives me the impression that he hates super heroes. No work shows this better than his run on The Punisher before he went to the Marvel Max version. After the first arc of the Punisher (Welcome Back Frank, which I almost liked), he proceeded to take a dump on every Marvel character he could get away with. He had Frank use Spider-Man as a human shield for The Resurrected Russian when Spidey could have pretty easily taken him. Frank blew Wolverine’s face off and ran him over with a bulldozer. Read more