These volumes of Knights of Sidonia are the lead-in for the big climax of the story. Tanijiro picks his romantic interest in these volumes, and the Sidonia gets ready for their big final assault on the Greater Cluster Ship, only for a new wrinkle to potentially ruin their plans – and the ship.
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Volumes 6 through 8 of Silent Mobius is where the shit really hits the fan. For the past 5 volumes, the fight between the AMP and the Lucifer Hawk has been pretty conventional. The Lucifer Hawk launch a terror mission, AMP fights back. Starting lightly with volume 5, but more predominantly with 6-8, the Lucifer Hawks start directly taking the fight to AMP.
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Volumes 8-11 of Knights of Sidonia are where Nihei steps firmly into New Battlestar Galactica Territory. We had a bit of that in the earlier volumes, but here there’s the level of internal political dissension I associate with that show.
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As part of this COVID-19 world, I’ve been trying to get through some of the manga titles on my reading list. One of the ones I’ve been working on is Kia Asamiya’s urban fantasy Cyberpunk opus, Silent Mobius.
(Note: For the purposes of this review I am reading the Viz Media release – the Udon release is incomplete, and the Manga Planet release hasn’t come out yet).
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In what feels like decades since the last release of Maison Ikkoku, Viz is re-releasing the manga, using the 10-volume format that the series received in Japan, instead of the 15-volume release they used for the previous version, and with a new translation. Since I didn’t get particularly far in the manga with the previous release, I figured now is a pretty good time to start over from scratch.
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So, remember that creepy coffin in the attic? Neither does this volume. It does, however, remember Ruka and Nagi’s challenge.
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The manga Shinji Ikari Raising Project does a lot with a pretty simple concept – what if we take the small slice-of-life rom-com anime vignette from the last episode of Neon Genesis Evangelion, and expand on that to its own series? Generally, it succeeds at that concept, with some solid humor, though with some missteps later in the series that gets things kind of awkward.
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I’ve finished reading Battle Angel Alita: Last Order – so it’s time to finally get into the back half of the manga.
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Oreimo is a manga which starts well – high school boy Kyousuke discovers his fashionable (as in fashion model) and popular younger sister Kirino is secretly an otaku who is really into games with moe little sisters and decides to bond with her through her fandom while also covering for her with their parents – and then hits an ending where the brother ends up in an incestuous relationship where he ends up marrying that sister. One of the supporting characters in that work is Kuroneko – one of Kirino’s friends in otakudom, who also has a romantic interest in Kyousuke. Now, Oreimo Kuroneko dares to ask the question – what if instead of boning his sister, Kyousuke decides to court his sister’s classmate who is also into him instead.
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When we last got caught up with Hayate, Father Radiostar and Isumi discovered a coffin in a space in the attic. Is related to that happening this volume? No!
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Well, it all comes down to this – the final decision of who Madarame is going to date. I will be spoiling who that person is below the cut, so head’s up.
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When we last left off on Genshiken, we had eliminated about two possible candidates from Madarame’s Harem, as well as establishing a possible romantic interest between Hato and Mirei Yajima. Two candidates in the Harem remain, Sue and Hato.
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As we further approach the conclusion of Genshiken and continue Kuchiki’s farewell trip, things around Madarame’s harem start to come further and further to a head, and we start approaching the answer to the question of who will Madarame choose.
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Volume 9 of Genshiken Second Season puts us in something of a double focus situation. On the one hand, Kuchiki has completed his senior project and is going to be graduating, so the Genshiken is going on a retreat. On the other hand, all of the members of Madarame’s Harem are coming along, and at their insistence – so is Madarame.
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I’ve been getting back into reading Blade of the Immortal with the new Amazon anime series adapting the manga – which will still be airing as this goes up. Thus far I’ve read the first 8 volumes of the manga (using the US order), and have some thoughts on the work.
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Battle Angel Alita ended – sort of – on an interesting note. Due to health issues, the mangaka, Yukito Kishiro, somewhat rushed the manga’s conclusion, quickly moving the story into the floating city of Zalem, before blitzing through the city coping with the revelation that everyone in the city has computer brains – and Alita ultimately ending up in control of the city. The sequel, Last Order, starts there, before going into an oddly different direction.
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When a creator revisits an old creation, it can be interesting from a reader’s perspective, as we see how changes with time influence that work, whether it’s the Eva Rebuild movies, or Chris Clairmont returning to the X-Men, Timothy Zahn returning to Star Wars, or what have you. With the revival of Genshiken – Genshiken Second Season – the manga elects not to pick up right where the old manga did, and instead skips forward, to a new generation of otaku and a look at how fandom has changed with time, with some interesting results.
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So, at last I’ve now gotten caught up on Hayate the Combat Butler – at least the official English release of the manga, so I might as well get through these last 5 volumes at one big whack!
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A while back I reviewed the anime adaptation of the manga Today’s Menu for the Emiya Family. At that time the video review went out, the first volume of the manga had come out, and I’d read it and enjoyed it, and since then two more volumes of the manga have come out since then, so it’s time to give this a proper review.
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The first four volumes of the Ultraman manga were bookended by the sentence “This is the beginning of a new age.” Volume 5 starts with that sentence, but ends with the sentence fading from the page – and that says a lot about where this volume of the manga ends.
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I enjoyed Laid Back Camp a lot. Between its informative depictions of going camping in Japan, it’s interesting travelogue sequences, and it’s generally chill tone, it ended up being one of my favorite anime, and one where I was kind of sad to see it end, and glad to see the show get a second season. After hearing that the manga had been getting an English release, I decided to check out the first volume of the manga.
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When last we left the worlds most unlucky butler, he had unintentionally deceived idol singer Ruka into thinking that he was a girl, due to having been roped into crossplay. Meanwhile, Nagi has decided to get back into manga – but she needs her muse…
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If I was going to describe 20th Century Boys in a high concept manner to someone in an elevator, I’d describe it as It meets The Stand. It’s a story that takes place over a vast scope of time, almost 30-40 years, with multiple time skips, and an apocalypse in-between, with a fundamental premise of a group of childhood friends being forced to face a great evil as adults. The difference is, the evil in It is a clearly supernatural, unearthly evil. The evil in 20th Century Boys is very, very human.
There are some spoilers below the cut.
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