Last time Batman was asked to kill Commissioner Gordon – we’ll see what his response is this time.
Read moreLegends of the Dark Knight #18: Comic Recap
Last time Batman was asked to kill Commissioner Gordon – we’ll see what his response is this time.
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After finishing with Robin, we’re moving closer to Knightfall with a storyline from Legends of the Dark Knight.
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We now come to the end of Robin’s first solo miniseries.
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We continue with Robin’s solo series as Tim Drake and Clyde Rawlins head to Hong Kong to stop King Snake from releasing a biological weapon.
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When we last left Tim Drake, he and his new compatriot Clyde Rawlins have had to lay low on the outskirts of Paris while looking into the plans of the Ghost Dragons and their master – King Snake.
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Having finished with Tim Drake’s path to becoming Robin, it’s time to get into his first solo adventure.
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We’re finishing up the second arc of Tim Drake’s introduction as Robin, where last time we learned our villain is Scarecrow.
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In the last issue of Batman, we saw a series of spree killings unfold in Gotham, with a plot inspired by Larry Cohen’s film God Told Me To, and with a cliffhanger where Vicki Vale was being menaced by a skull-hooded man with a sledgehammer.
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We’re continuing with Tim Drake’s rise as Robin, and shifting books from Detective Comics to Batman.
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This time we wrap up the first of the three main arcs leading to the start of Tim Drake’s tenure as Robin.
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When we last left off the Road to Knightfall, Tim Drake’s parents, Jack and Janet Drake had been kidnapped by The Obeah Man, and their plane was reported missing.
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I’m starting a new project now, which I’m calling “Batman: Knightfall Saga” – this will be taking the place of Legends of the Force for a bit, so I can take a break and cover something else – so I don’t burn out. I’m starting this off with the path to the Knightfall saga, focusing on three different characters and concepts. First off, we’re getting into the origins of the third Robin, Tim Drake.
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A while back I gave some thoughts on my concerns about the upcoming X-Men series House of X and Powers of X by Jonathan Hickman, and where the X-Line was going to go from there. Well, Hickman’s first two series – House of X and Powers of X – are now out and I’ve read them, and now it’s time to re-assess some of my analysis, as we’ve gotten into the series coming out of those series.
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Age of X-Man was a very interesting event, which played with dystopia in a manner that the X-Books hadn’t really done before. However, leading into it and running parallel to it was Uncanny X-Men Volume 5 which, frankly, was something of a slog.
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One of the first X-men comics I read was a collection of the first few issues of Age of Apocalypse, back when I was in middle school. While I have still yet to read the entire story, the bits I’ve read left something of an impression on me. When the Age of X-Man event began, I was interested in seeing X-Men writers take on a dystopia that’s different from many of the standard “Pile of Skulls” X-Men dystopia.
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Gail Simone is one of the writers in comics where, after reading several of her runs on other books, I’m strongly considering telling my local comic shop to put all her future stuff on my pull list, and Domino: Hotshots is a great example of why.
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There is running theory in stories with romances that the chase is better than the catch – that once characters in a romance get together, there is no motivation to continue the story. These are people who never watched Hart to Hart nor are familiar with Nick & Nora Charles. In the X-Books, probably the biggest of these romances, almost as much if not more so than Scott Summers and Jean Grey, was Gambit and Rogue. However, during the planned wedding of Kitty Pryde and Piotr Rasputin, things ended up not happening, leading to Rogue and Gambit basically deciding to take advantage of the opportunity and the two X-Men who could never tie the other down decided to get hitched.
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I give my thoughts on the epilogue for this wave of the Marvel Cinematic Universe.
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A while back, Marvel partnered with Stitcher to do their first Podcast audio drama (Podeo drama?) titled Wolverine: The Long Night. The podcast was originally exclusive to Stitcher subscribers before they later went on to adapt it to a comic mini-series, which picked up as it came out.
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Recently Marvel announced that, as part of Jonathan Hickman’s upcoming run on the X-Men books, the X-Line would be contracted to just two books – House of X and Powers of X, each with a 6-issue run. According to an interview with ComicBook.com, the decision was pitched by Hickman essentially to create a jumping on point for the line for new readers.
The argument makes sense – two books are cheaper than 10 and require less effort to keep track of a story across those books. However, the fundamental idea of the Mutant Metaphor – of Mutants being representative of multiple discriminated minority populations – requires representation not only in the form of the characters on the page but also in the form of the people writing stories with those characters.
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DC Comics: Zero Year is meant to be something of a starting point for various characters in the DC Universe, showing Superman, Batman, and Catwoman in the early days, if not the start, of their superhero careers. The book also shows Dinah Lance, Barry Allen, Jason Todd, Dick Grayson, John Stewart, and Oliver Queen either before they started superheroing or, in the case of Barry and John, before they got their powers.
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This week I’m taking a look at the end of an era with my (relatively) spoiler-free review of Avengers: Endgame.
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The Hellboy movie series has been re-booted, now without Guillermo Del Toro and after superhero movies, in general, have become more mainstream. How does this new film fare?
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This week I have a vlog review of the next film in the Marvel Cinematic Universe – Captain Marvel. Being that the film is still in theaters as of when this is going up, please refrain from posting spoilers until August 2019.
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