There are 4 kinds of documentary that I like. There are nature documentaries, particularly of the bent of PBS’s Nature, and David Attenborough’s wildlife programs, as well as the work of the National Geographic Society. There are Historical documentaries, particularly stuff like the American Experience, as well as stuff like the Connections series and some documentaries like One Day in September. There are Journalistic documentaries, such as the material from PBS’s Frontline series, and some of the films that are part of the POV series. Then, finally, there are documentaries that I would describe as Gonzo Journalism. Dear Zachary is one those documentaries.
First, I need to clarify something. Michael Moore’s documentaries aren’t Gonzo Journalism. Morgan Spurlock’s documentaries aren’t Gonzo Journalism. Also, you don’t need to be on drugs to make a documentary that is Gonzo Journalism. Ultimately, Gonzo Journalism, as it was when Hunter S. Thompson came up with it, is the idea that someone covering an event, or witnessing an event, cannot not become a part of the event. Thus, rather then attempt to hang on to some form of clinical detachment, you should become a participant in events. The classic example from Thompson’s work isn’t Fear and Loathing in Las Vegas, but rather Fear and Loathing on the Campaign Trail. Continue reading