The Elusive Samurai is an anime series based on a manga from the creator of Assassination Classroom. That series was one that skewered the Japanese educational system through the context of a Shonen Fight manga – so I was interested to see how The Elusive Samurai handles Japanese history.
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Anime Review: Vinland Saga Season 2
The first season of Vinland Saga, which I watched when it was streaming on Amazon Prime, was a very fast-paced and dark period action series with some serious political undertones to it. The second season, which aired in the Spring 2023 season, maintains the dark tone, but with a shift in the focus of the story. There will be spoilers in this review.
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Manga Review: The Rose of Versailles
Shojo manga has, historically, been underserved by American manga publishers – and when we have gotten shojo series, they have tended to be more conventional romance series – and not necessarily works in other genres (whether fantasy, science fiction, or historical fiction). However, some of the more influential works of the genre have fallen overlapped with other genres, and probably few more influential and more high profile than Riyoko Ikeda’s The Rose of Versailles. It’s also a manga that until fairly recently, hasn’t been available (legally) in its entirety in English.
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The Connection (2014): Film Review
When it comes to watching movies based on historical events, occasionally you happen, by varying degrees of coincidence, into a narrative between multiple films all based on historical events that all tie together. Sometimes it’s deliberate, with different filmmakers being in dialog with each other, and sometimes it’s happenstance, and sometimes it’s even a combination of the two. The Connection from 2014 (released in France as La French) is something of a combination of the two, being in dialog with the 1971 film The French Connection, but also referencing the events covered in Ridley Scott’s film American Gangster, and in turn making Hoodlum something of a prologue.
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Rasputin: The Mad Monk: Film Review
While Sir Christopher Lee was generally closely associated with Hammer films, his career there was often tied with three main kinds of roles. There was his stint as Frankenstein’s Monster and the Mummy, where in The Mummy’s case you couldn’t tell it was him, and in case of the Monster, the character was not as well spoken as his literary counterpart. There were a variety of genteel, semi-posh aristocrats who were calm and reserved, even if they had their own forms of menace (and I’m including Fu Manchu in this). And then there was Dracula – arguably his most famous role, full of animal magnetism, elegance, and menace, but quite frequently very little dialog to sink Lee’s teeth into (pun intended). Rasputin: The Mad Monk gave Lee a character with all the magnetism of Dracula, but with an incredibly solid script to work with.
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Fena: Pirate Princess – Anime Review
Fena: Pirate Princess is the first co-production in a while between Adult Swim/Cartoon Network and an anime studio (in this case, Production IG), possibly the first major series since the second season of The Big O. With an animation style and plot that feels like it’s meant to evoke Nadia: The Secret of Blue Water and The Mysterious Cities of Gold, while leaning into the “anime-ness” in a way that feels similar to Avatar: The Last Airbender, except in the sense of an anime studio looking at Avatar and going, “We can do this.” The question then is – can they do this?
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Film Review: Fall of the Roman Empire
The Roman-Period Epic was something of a staple of cinema in the 1950s and ’60s, and one of the films of that genre that tanked the hardest was The Fall of the Roman Empire from 1964, which is a bummer because it’s really not that bad. Continue reading

Film Review: Kingdom of Heaven – Director’s Cut
Ridley Scott is a director who is fantastic at building worlds. In Blade Runner it was the future of Los Angeles. In Gladiator it was Imperial Rome. In Kingdom of Heaven, it’s 14th century Jerusalem and Palestine. Continue reading

Movie Review – Edge of Sanity (1989)
Edge of Sanity is an interesting, but flawed film, taking the Jack the Ripper case, and combining it with Robert Lewis Stephenson’s classic work of Victorian horror – The Strange Case of Dr. Jekyll and Mr. Hyde. Continue reading