Anime

Boogiepop Phantom: Anime Review

Boogiepop Phantom was an anime that came out in 2000 that very much served as a counterpoint to Serial Experiments Lain in the eyes of American anime fans. Both works are dark psychological suspense works containing conspiracies and supernatural elements. Both works are heavy on suspense, and depict their high school-aged protagonists dealing with a heavy weight of intense personal dread, psychological pressure, and often with that trauma based on the burdens of society and how they play on their peers.

Continue reading →
Standard
film

Rasputin: The Mad Monk: Film Review

While Sir Christopher Lee was generally closely associated with Hammer films, his career there was often tied with three main kinds of roles. There was his stint as Frankenstein’s Monster and the Mummy, where in The Mummy’s case you couldn’t tell it was him, and in case of the Monster, the character was not as well spoken as his literary counterpart. There were a variety of genteel, semi-posh aristocrats who were calm and reserved, even if they had their own forms of menace (and I’m including Fu Manchu in this). And then there was Dracula – arguably his most famous role, full of animal magnetism, elegance, and menace, but quite frequently very little dialog to sink Lee’s teeth into (pun intended). Rasputin: The Mad Monk gave Lee a character with all the magnetism of Dracula, but with an incredibly solid script to work with.

Continue reading →
Standard
Anime

Lupin The Third Part 6: Anime Review

Lupin The Third: Part 6 is, unfortunately, a mess. Unlike previous Lupin series, this one neither has a serialized focus (like with Woman Called Fujiko Mine) or a primary episodic focus (like Parts 1 through 3). Instead, the series tries to be a hybrid, sort of like Part 4, but instead of the stand-alone episodes fitting in the overall continuity, they go off on their own directions in ways that are very hit-or-miss. This is all aggravated by splitting the show into two different serialized plots – one per cour.

Continue reading →
Standard
News

Yashahime Second Season: Anime Review

Yashahime was a sequel series to Inuyasha that was somewhat unique by the fact that it was a completely anime-original story, with a new generation of characters, that Rumiko Takahashi was not actively involved in. The first season felt somewhat aimless, though, and going in I had concerns that the second season would be similarly directionless. Thankfully, this is not the case.

Continue reading →
Standard
Anime

Bakemonogatari: Anime Review

Bakemonogatari is my first introduction to Nisioisin and to Shaft as an anime studio. I had tried to watch the show in fansubs when it first came out, as it hadn’t been licensed, and I remember being struck by the visuals of the series and the level of visual style – I could tell that the show was doing something – but I couldn’t tell yet, and I ultimately decided that I’d get around to it once the show had finished. And then I forgot about it entirely until this past year, when I decided it was time to finally get around to watching the damn thing – and I’m glad I finally have.

Continue reading →
Standard
film

Santo & The Treasure of Dracula: Film Review

I have a soft spot for the El Santo movies. They are corny and campy, but universally sincere. No one in the films has any doubt that El Santo has the Doc Savage skill set he demonstrates over the series. There is no question that a professional wrestler can be a detective, an occultist, and a science hero. That said, the films are not without their flaws, and sadly Santo & the Treasure of Dracula is no exception.

Continue reading →
Standard
film

Guns of Navarone: Film Review

It’s interesting looking at Guns of Navarone in the context of the World War 2 genre of films. It’s contemporaneous with movies like The Longest Day, which I mentioned in my review of that movie that it’s something of a last hurrah of old Hollywood. Guns of Navarone feels like a middle ground. On the one hand, most of the film’s cast fit in that general age range (and also has Gregory Peck). On the other hand, it’s a little more cynical than that film – but it is not as cynical as a Bridge Too Far was (and considering the historical context, than this film could be). However, it still makes for a very solid film.

Continue reading →
Standard
Anime

Tekkonkinkreet: Anime Review

Tekkonkinkreet is an anime that I’ve been meaning to watch for years, but just never gotten around to it. It’s a film from Studio 4*C and fits a sort of middle ground between their more art-for-art’s sake films like the Genius Party anthologies and Mind Game, and the more clear-cut adaptations like their Berserk trilogy. It’s also an outlier in that it’s an anime film that is directed by an American (and not a Japanese American either) who didn’t come up through the industry.

Continue reading →
Standard
film

The Princess Bride: Film Review

When re-watching a beloved childhood film as an adult, there is a worry that the film won’t stand up. That characters you loved will actually be grating, a story you thought was deep was paper-thin, dialog you thought was clever was trite. What you saw as a lake turns out with time to have only been a puddle. I will say upfront, before getting into the meat of the review, The Princess Bride does not have this problem.

Continue reading →
Standard