This past year, as part of my weekend anime viewings with my parents, we watched all of My Hero Academia over the course of a few months. As I watched the show, something struck me. Deku and his struggles with mastering One For All are a really good metaphor for my experiences with Autism.
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If you’d read my review of Area 88, you may recall that I gushed over the gorgeously depicted dogfights in that show. Since then I’ve been looking for something that scratched that itch. Not necessarily with the amount of grit that Area 88 did – but still, something that had exciting, tense fighter dogfights. The Winter 2018 anime season brought me the thing that I’d been waiting for. Specifically, it brought me The Magnificent Kotobuki, from the writer and director of Shirobako and Girls Und Panzer. Now, the series had some difficulty taking off for some fans because of the stylistic choices the director made. However, once it got airborne, in my view The Magnificent Kotobuki became a fantastic action anime.
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In my review last week of the first Boogiepop Omnibus, I talked about this year’s Boogiepop anime series. Since I recorded that episode, I’ve finished watching the series, and have some thoughts of the show.
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It feels like an unnecessary point to say, but it bears mentioning nonetheless – Fate/Stay Night: Heaven’s Feel II. Lost Butterfly is very much the middle installment of a trilogy. While the first film in this route, Presage Flower, had a very dark ending, this film manages to go into darker places and ends in a dire place. While the first two routes had a degree of brightness to their endings, and I have no doubt that
It also bears mentioning going in, and I’m mentioning this before the cut for those who don’t want to read further before seeing the film – even though I’m going to minimize spoilers, that I would give this film a content advisory for sexual assault and suicide. Neither is depicted explicitly on screen (sort of), but it comes up, so it’s important to know going in.
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When I think of food porn in anime, I think of Food Wars – in part because of the risque reactions to the food, but more so because of the very involved dishes that are featured in the work – some of them are dishes that I feel I could make with some time and practice, but there are more than few others that I don’t think I could pull off, due to ingredients that aren’t available, or techniques that can be tricky to master (filleting a cut of meat, for example). Though there are a few other series that focus on food that is easier to pull off in the home, like Sweetness and Lightning.
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Double Decker: Doug and Kiril is from the same studio and creative team who brought us Tiger and Bunny – a series that I’ve only seen in part, back when Neon Alley was a Thing That Existed. So, I can say, with a degree of confidence, that you need to know nothing about Tiger & Bunny to get into this series.
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When I heard about the upcoming release of Gundam NT (or Gundam Narrative) the thought I had coming in was that the film was going to be the kickoff point for the next chapter of the saga of the Universal Century. That, after the conclusion of Gundam Unicorn set up something of a new status quo, this would start a series of films that would basically lay the groundwork for eventually reaching F91, Crossbone Gundam, and Victory Gundam.
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These past few years have been interesting for anime and manga re-imaginings of Tokusatsu series. There’s been the Netflix Godzilla anime series of films, there was the Ultraman short that was part of the Japan Animator Expo, and there’s the Ultraman reboot manga that is also getting adapted to an anime this year (2019). And there’s S.S.S.S. Gridman, from Studio Trigger in a co-production with Tsuburaya Productions, based on the live-action Gridman: The Hyper Agent from the ’90s (released in the US as Superhuman Samurai Syber Squad).
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In this episode (with its light novel adaptation length title), I give some recommendations for tabletop RPGs based on various video games and anime from the last year.
In 2018, a handful of my Anime Holy Grails getting licensed and released. It’s time to replenish the list.
Invoking the name of Sherlock Holmes sets a lot of expectations for a series. It sets the expectations that your series is going to be a mystery series, where the way the mysteries will be solved will be through the detective using deductive reasoning and through keen powers of observation – and also that the detective will have an audience-perspective sidekick who is intelligent and perceptive, but not as much as the detective. Holmes of Kyoto is, occasionally, that. However, just as much of the time, it’s a relationship drama, and not necessarily a well-executed relationship drama. Read more
This week I’m covering the last Hayate series to date, with Hayate the Combat Butler: Cuties. Read more
Girls Und Panzer (which I reviewed at Bureau42, not here), was a show that I absolutely loved. It had a sports anime plot for a sport that didn’t exist in the real world, Sensha-do, the art of Tankery: the art of crewing and maintaining a tank, and succeeding in combat using that tank – though Sensha-Do competitions are not to the death. Read more
This month I’m wrapping up a few loose ends, as I review the two Hayate TV series I hadn’t previously reviewed. First off is Hayate the Combat Butler: Can’t Take My Eyes Off You! Read more
One of my favorite works of anime fantasy is Record of Lodoss War. It’s a show that I try to watch at least once a year, and due to my appreciation of that, I’ve sought out the various works by its creator, Ryo Mizuno, which have gotten a US release, from the Lodoss series onwards. In any case, when Record of Grancrest War was announced, and that even more it was related to a tabletop RPG that Mizuno had created, I was definitely onboard to check this out.
Akiba’s Trip: Undead and Undressed was an interesting RPG & brawler with something of a novel concept – that it was set in a re-creation of Akihabara with a level of detail that was just short of being on par with the level of detail that the Yakuza series puts into not-Kabuki-cho – by which I mean that there were some loading screens dividing up areas of the game, not much in terms of real-world alcohol to drink (because your protagonist is underage), and sadly no playable arcade games. Read more
So one of the things I did not know until recently is that A-1 Pictures is one of the anime studios that has benefited from the exodus from former Anime industry titan GAINAX (in addition to other studios like Trigger and Khara popping up in the wake of this as well). Consequently, a lot of discussions I encountered on the lead up to the anime series Darling in the FranXX started out as a discussion of the series as a Trigger joint, before moving on to talking about it as a sort of GAINAX reunion. I’d consider that analogy not that far off. The series feels something like the Anime equivalent of the Led Zeppelin reunion concert – the band getting back together to revisit their old hits (in this analogy, the newer staffers from A-1 Pictures and Trigger would represent Jason Bonham). Read more
It is important to say this out of the gate, even more so than with Fate/Apocrypha – this is a film for people who have been watching Fate/Stay Night from the beginning. This, to a large degree, has to do with the structure of the original game. Heaven’s Feel is the third route of the game, played after (in order) the Fate and Unlimited Blade Works routes. Consequently, the story of the route has a lot less focus on explaining the Holy Grail War, Servants, or mages, because you’ve played through the game twice already. Read more
This time I’m reviewing one of the films that got me into anime.
Referral Links:
Film: Amazon, Crunchyroll
Book: Amazon, Kindle
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This week I’m taking a look at one of the few Type Moon anime *not* to come to the US.
Tokyo Otaku Mode’s Fate section is here: https://otakumode.com/shop/label/Fate%20Series
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This week I’m taking a look at the first anime adaptation of a Type-Moon series.
Tsukihime is available from Amazon.com and RightStuf.
Please support my Patreon.
Buy me a coffee at Ko-Fi.
Member of The Console Xplosion Network.
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Let’s make this clear from the beginning – if you’re looking for a gateway to the Fate universe – this isn’t it. While Fate/Apocrypha is set in an alternate timeline which would, in theory, free it from some of the baggage from the original work, this is not even remotely the case. I’ve discussed the first half of the series a few months ago, but now it’s time to talk about the series as a whole. There will be spoilers – so if you haven’t decided to watch the show yet, read that review first. Read more
I give a few possible candidates for another approach to adapting anime to live action.
5 Anime That Could Work in Live Action
Mother’s Basement – When Will Hollywood Anime Git Gud
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For the past 30 years, the narrative and thematic conclusion of the One Year War arc of the Universal Century was Char’s Counterattack. The film is wonderfully animated, with intense action sequences, but in my view it felt less like a thematic conclusion of the themes of the first 3 Gundam series, and more of a return to the narrative of the original Mobile Suit Gundam anime series. As I mentioned in my review of Gundam ZZ – that worked for me when what I knew of the Universal Century was just the original series, but it became less and less resonant as I made my way through the story. Gundam Unicorn, on the other hand, feels much more resonant, and fits as a conclusion to this part of the Universal Century. Read more