Cops & Robbers movies have been a part of cinema for as long as there has been cinema, though prior to the 1990s, the general tack was to either have the robbers be the good guys (going back to various western films), or to have the cops be the good guys, but with a few exceptions generally not really both. Read more
This week I give my belated thoughts on the latest cinematic outing of the Merc with the Mouth.
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Touch of Evil is considered one of the best Film Noir of all time, for a lot of reasons – from the very gritty narrative with a driving thrust based around police corruption and racism, to a protagonist being a more upstanding police detective who as the film goes on becomes more morally compromised. However, it has its issues as a film. Read more
The next Star Wars Story installment is out, and I talk about this film’s depictions of Han and Lando, and how they compare to what we’ve seen in the Legends continuity thus far – with the Han Solo and Lando Calrissian Adventures novels in particular.
Opening Credits: Star Wars Theme from Super Star Wars on the SNES.
Closing Credits: Chiptune Cantina Band from Chiptune Inc. – https://www.youtube.com/channel/UCvJtiGFudFlvYMfjiU1NKJg
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Eyes Without A Face is a very engaging, but bleak horror film. Not bleak in the sense of the horror exploitation films of the 1970s, where the endings erred on the side of “Nobody survived and this is going to happen again” or even just “None of our protagonists survived” as was the case of Night of The Living Dead. The film’s ending does have a true sense of catharsis, and if it was narratively framed differently, it would end on a much more upbeat note.
To get into this, I’m going to have to get into spoilers for a film from 1960. If you want to come in cold, consider this your warning. Read more
This week I’m taking a look at one of the few Type Moon anime *not* to come to the US.
Tokyo Otaku Mode’s Fate section is here: https://otakumode.com/shop/label/Fate%20Series
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His Girl Friday has aged poorly.
Let’s start off with the fundamental premise – Newspaperman Walter Burns (Cary Grant) has divorced from his reporter wife Hildy Johnson (Rosalind Russell) at some point prior to the beginning of the film. She’s stopped by the newspaper to announce that she’s remarrying, to insurance salesman Bruce Baldwin (Ralph Bellamy), and is going to leave reporting – having been burned out by the cynicism. However, this happens on the eve of the execution of a man named Earl Williams (John Qualen) for murder. Read more
This week I’m taking a look at the first anime adaptation of a Type-Moon series.
Tsukihime is available from Amazon.com and RightStuf.
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I’m not the biggest fan of musicals. I’ve liked some of them, but I don’t really get into the genre as a whole. One of the Musicals that has always worked for me is Jesus Christ Superstar by Andrew Lloyd Webber and Tim Rice – with the musical probably being one of the two’s best collaborations. The musical recently got a new stage adaptation, performed live on NBC, and I watched the archive of the show on Hulu. Read more
Let’s make this clear from the beginning – if you’re looking for a gateway to the Fate universe – this isn’t it. While Fate/Apocrypha is set in an alternate timeline which would, in theory, free it from some of the baggage from the original work, this is not even remotely the case. I’ve discussed the first half of the series a few months ago, but now it’s time to talk about the series as a whole. There will be spoilers – so if you haven’t decided to watch the show yet, read that review first. Read more
I saw Avengers: Infinity War in the theater on April 26th, so I’m giving my thoughts in a (mostly) spoiler-free video.
Please refrain from any spoilers in the comments until the end of July, 2018.
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Heaven’s Gate is a film that originally had a profoundly negative response – critically panned for its excess, both in terms of the troubled shoot and the film’s length, it was considered everything wrong with “New Hollywood”, even before we get into the reports that horses were killed and maimed in the making of this film to enough of a degree above and beyond earlier westerns that this movie lead to the start of the American Humane Society sending monitors to film shoots to make sure this didn’t happen in the future. Since its initial release, the film built up something of a cult following, which ultimately lead to the film getting a re-edit and re-master to fit the director’s vision for its final release a few years ago from the Criterion Collection. Read more
I give a few possible candidates for another approach to adapting anime to live action.
5 Anime That Could Work in Live Action
Mother’s Basement – When Will Hollywood Anime Git Gud
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Fellini’s film 8 1/2 is considered his magnum opus, the defining film of his career, and a monumental work of Italian cinema. It’s also a film that, in my view, has been eclipsed by later works influenced by it, in particular Bob Fosse’s film All That Jazz. I’ll explain.
(There will be some spoilers for both films) Read more
I missed Spider-Man Homecoming when it was initially in theaters – due to a combination of lack of time when I had the money, and a lack of money when I had the time. When I had both, the movie was out of theaters entirely. Ultimately, the film became my one gap in the MCU – the one film I hadn’t seen. Until now. Read more
A while back I reviewed the documentary film The Ackermonster Chronicles – a documentary film telling the life story of Forrest J. Ackerman. The film conveyed Ackerman’s life in a way that I compared to people talking about Ackerman at a wake, telling stories about his life, and in my view it didn’t quite get across why, necessarily, Ackerman was historically important or significant. George Harrison: Living in the Material World, from director Martin Scorsese uses the same style of presentation, but gets that point across better. Read more
Metropolis is probably one of the most well known films by Fritz Lang, and most likely one of the most influential films in science fiction. It’s combines biblical imagery in interesting ways – and it’s also aged in an interesting manner.
For the past 30 years, the narrative and thematic conclusion of the One Year War arc of the Universal Century was Char’s Counterattack. The film is wonderfully animated, with intense action sequences, but in my view it felt less like a thematic conclusion of the themes of the first 3 Gundam series, and more of a return to the narrative of the original Mobile Suit Gundam anime series. As I mentioned in my review of Gundam ZZ – that worked for me when what I knew of the Universal Century was just the original series, but it became less and less resonant as I made my way through the story. Gundam Unicorn, on the other hand, feels much more resonant, and fits as a conclusion to this part of the Universal Century. Read more
There have been numerous anime about anime and anime fandom – from Otaku no Video and Genshiken on the fandom side, and Shirobako and Animation Runner Kuromi on the production side. This last year had Anime-Gataris, an anime series spun-off from a series of shorts that aired in a specific movie theater in Tokyo, a series that does a little bit of both – and then some. Read more
Before Quentin Tarantino made Reservoir Dogs (or, for that matter, Kathryn Bigelow made Point Break), Ringo Lam made City on Fire. Read more
Black Panther came out in the middle of last month (February 17th). I’ve waited a few weeks for people to talk about it, and now I’ll give my thoughts on the movie. Read more
This time I take a look at an early Mind-F*** series from the 90s.
Key The Metal Idol property of Studio Pierrot.
Licensed by Discotek Media
Available on DVD from: Amazon.com and Crunchyroll
(Clicking on these affiliate links and buying something helps support the show.)
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Magnificent Warriors is another of the early films in Michelle Yeoh’s career – made a little before Royal Warriors. As with Royal Warriors – the film has Michelle Yeoh in the lead, along with another male co-lead in a similar action role, and the third male lead being a comic relief character. However, that’s pretty much where the similarities end. Read more
In a few days (as of when this goes live) the second half of Fate/Apocrypha will come out on Netflix. This show was licensed as part of Netflix’s first really large anime licensing initiative, and was split into two chunks, one per “cour” (Japanese TV season) of the show. So, as we wait for the show’s second half, I might as well talk about the first half of the show. Read more