film

Movie Review: Mission Impossible (1996)

When I first watched Mission: Impossible, and Tom Cruise’s first outing as Ethan Hunt – I was much younger – still in High School, with a degree of familiarity with the TV series from watching reruns on TV on Saturday mornings, or on cable on TV Land, and with a limited degree of familiarity with the spy or the suspense genre as a whole. So, I don’t think it worked for me the way that Brian De Palma intended. However, the passage of time has lead me to have more experience with thrillers, the spy genre in its multiple flavors, and some of De Palma’s other work (such as The Untouchables), which has lead me to a place where I think I’m able to re-appraise this film on its own terms – and I think it fares much better in this re-appraisal.

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Film Review: The Replacement Killers

When Chow Yun-Fat came to the US, he brought a reputation from various Heroic Bloodshed epics, from John Woo and Ringo Lam – a reputation as an action star with a strong acting range. So, it’s unsurprising that his early roles would fall into that same category, with The Replacement Killers doing a film in that style, but with some admittedly more Hollywood sensibilities.

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No Time To Die: Film Review

When it was determined that, no really, No Time To Die was going to be Daniel Craig’s last outing as James Bond, we then had the question of just how his Bond was going to go out. Most of the previous Bonds to date ended at the status quo at the end of their last outing – each film having an ending like all the rest of the bond movies. However, Craig’s bond films, however, have generally never quite been like any of the other Bonds. Casino Royale and Quantum of Solace were films setting up the start of Bond’s career, and Skyfall and Spectre were very much about changing up the status quo (changing of the guard for M and the re-introduction of SPECTRE, respectively). So, there was a real question here of whether Craig’s departure would be about continuing the plot thread with a new actor picking up the baton from the last, or doing a mostly fresh-start of the continuity, as was done with Casino Royale.

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A Touch of Zen: Film Review

A Touch of Zen is the third King Hu film I’ve watched so far, and the second of his films after he left Hong Kong and Shaw Brothers for Taiwan. The first, Dragon Inn, kept some of the framework of the Wuxia Western while using Taiwan’s more diverse scenery for great visual effect. A Touch of Zen, on the other hand, leans more heavily into the Wuxia side.

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The Vampire Lovers: Film Review

Hammer Films has always had some form of sexual content in their movies, generally in the form of various generic barmaids with cleaving-accentuating outfits being menaced by some form of monster (usually Dracula, but occasionally a werewolf or Frankenstein’s monster. However, due to Hammer’s frequent clashes with the BBFC, never with actual nudity. Similarly, while critical discussion of vampire fiction has discussed a degree of homoeroticism, up until the 70s, much of what you got was male actors staring intensely into someone’s eyes before feeding on them – with probably the distinct exception of Lemora: A Child’s Tale of the Supernatural. The Vampire Lovers crosses both of those lines.

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Scream and Scream Again: Film Review

Amicus Films greatest strength as a studio has been, in their films I’ve previously reviewed (like Tales from the Crypt and Dr. Terror’s House of Horrors) has been their anthology films. Their films were always fairly low budget, but the short form anthology film format allowed them to get good actors in for short narrative works. Scream and Scream Again shifts things by doing a more ambitious narrative, but one which stumbles out of the gate and is fumbled in its execution.

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