The past couple of years have had a wide array of new sports getting represented in anime forms, some of which I’ve reviewed on this blog – like Sk8: The Infinity, Re-Main, and Sport Climbing Girls. Well, this year we had not just the first hockey anime (which is a surprise right there), but it’s also the first girls’ hockey anime (and potentially the first girls’ hockey TV series – full stop), with Pride of Orange.
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When I learned that Hiro Mashima’s next project after Fairy Tail was going to be a science fiction series, I was intrigued to see where this was going. When I learned it was going in more of a science-fantasy direction, I wasn’t exactly surprised, considering his track record. However, when I finally watched the first season of the anime adaptation of this project, Edens Zero, on Netflix, I was absolutely surprised by just how dark the show is. There will be some spoilers for the show below the cut, mainly for early episodes.
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It felt, for a bit, like Steampunk was getting out of vogue. However, with this year’s Video Game Awards, along with a few other places, we started getting hints of Steampunk coming back to the market. However, even before this, there was a sense that much of what was marketed as steampunk was stuff that was less “punk” and more just Victorian-inspired Pulp Sci-Fi, or as the Foglios refer to their webcomic Girl Genius – “Gaslamp Fantasy”. Works that circumvented the social and political ills of the Victorian Period – not necessarily pretending they didn’t exist, but creating worlds where they could have adventures inspired by Wells, Verne, and Haggard, but without the racism, classism, and imperialism. Princess Principal, on the other hand, feels like a Steampunk Ghost in the Shell – a series that engages with the trappings of its setting and does not paint over the cracks and warts, but instead calls attention to them and works with them.
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The year is wrapping up, so it’s time to a year in review video where I give my 6 anime that I recommend from 2021.
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Way of the Househusband, like Science Fell In Love So I Tried To Prove It earlier, is a comedy anime based around variations on one theme – the theme being, “What if a super badass retired yakuza was really goddamn good at domestic tasks.”
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I am aware that all my previous reviews of the Legend of the Galactic Heroes novels were videos first, but here I am. At long last, after spending over a decade slowly but surely making my way through the anime, with multiple false starts, at long last I have finished Legend of the Galactic Heroes, all 110 episodes of it – after having completed the novels. So, now it’s time to give my thoughts, with the context of having read the novels as well.
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This past week, during the MST3K Turkey Day Marathon, they announced all 13 of the films that would be riffed on MST3K Season 13, which I backed on Kickstarter. I have a few thoughts on the picks.
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“On Your Mark” is an un-short in the filmography of Studio Ghibli in general and Hayao Miyazaki in particular. Removed from the official Ghibli discography after Aska of Chage & Aska was arrested for Drug Possession (Estacy and Stimulants), the film has become one of those things that’s only really available via bootlegs now (much as, apparently, Chage and Aska’s discography). I saw it once when I was in High School, in my school’s anime club, and I never got around to re-watching it until recently, and I’d like to give some quick thoughts.
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Fena: Pirate Princess is the first co-production in a while between Adult Swim/Cartoon Network and an anime studio (in this case, Production IG), possibly the first major series since the second season of The Big O. With an animation style and plot that feels like it’s meant to evoke Nadia: The Secret of Blue Water and The Mysterious Cities of Gold, while leaning into the “anime-ness” in a way that feels similar to Avatar: The Last Airbender, except in the sense of an anime studio looking at Avatar and going, “We can do this.” The question then is – can they do this?
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I guess I’m doing an unintentional theme week, when it comes to hard-boiled urban fantasy, as this time I’m taking a look at the anime film Wicked City, based on a novel by Hideyuki Kukichi, and directed by Yoshiaki Kawajiri.
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Cast a Deadly Spell is interesting as a historical artifact. While the film wears the trappings of the Cthulhu mythos, with the Necronomicon being the focus of the plot, and the protagonist bearing the name of H. P. Lovecraft (though with a different first name than the spectacularly racist author), it has almost more in common with the Hardboiled Detective variety of Urban Fantasy that we now associate with books like the Harry Dresden series. It’s not by any stretch the first urban fantasy work – Mike Resnick’s John Justin Mallory novels and War for the Oaks pre-dates it, with Resnick’s series also being hard-boiled detective fiction. But by being a movie made for HBO, it provided the genre a level of visibility that it had never before seen. But is it good?
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What happens when you give the director of Ghost of Yotsuya $1.95 and a ham sandwich (or, in this case, 195 yen and an onigiri), say the studio is on the brink of bankruptcy and tell him to make a horror film – you get Jigoku. This is a dark, grim, surreal, and truly nightmarish film.
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Re-Main is the latest of what I’d call a series of anime series made with the Summer Olympics in mind, highlighting various sports from the game, including Sk-8: The Infinity (Skateboarding), Sport Climbing Girls (Bouldering and Speed Climbing), and Wave!! (Surfing). While those covered some of the new sports at these Olympic games, Re-Main focuses a longer, more established Summer Olympic sport – Water Polo.
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Madhouse is a very good film with a title that has effectively nothing to do with the plot, but that’s okay. It is – in short – Amicus making a very serious effort to do their take on giallo films, and they do fairly well.
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I have come to the conclusion that my first non-anthology Amicus film I watched, Scream and Scream Again, may have been an outlier, in terms of quality. By contrast, The Skull, while very light on narrative, has some very nicely done imagery and well done cinematography, which makes it an incredibly fun film.
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I’m following up on my review of Paperbacks From Hell, with a video review of a novel covered in that book – 1977’s The Sentinel.
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Legend of the Mountain is King Hu doing a ghost story. Not in the sense of a work of cover-to-cover overt horror, but more in the sense of a general vibe of dread, but never quite getting a heavy level of spookiness beyond a few moments.
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From the discussions I’ve seen online as the season went on, My Hero Academia Season 5 is probably the most divisive season of the show thus far, between those who have been reading the manga, and those who have been watching the show, and a lot of that comes down to the decisions made around the final arc of the season, the My Villain Academia arc. It’s not that the season is bad, it’s that the narrative decisions that were made about where they would include that arc in the season was very controversial.
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Miss Kobayashi’s Dragon Maid S is Kyoto Animation’s big return to television after the horrific fire of 2019, along with the pandemic, so it feels right for them to come back with something as cheerful and heartwarming – and also horny on main – as Dragon Maid.
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There’s a point, in a flashback sequence in The Detective Is Already Dead, where the titular Detective, Siesta, is asked by our protagonist and her sidekick, Kimihiko, why she calls herself a detective when she’s closer to being a spy. Siesta responds that she protects the interests of her client, which what a detective does, so she chooses to identify herself (professionally) as a Detective. This kind of encapsulates the show in a nutshell.
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Many romantic comedy anime series use misunderstandings as the focus of their humor. Something is misheard, or not told, and it sets up a snowballing series of events, like in Maison Ikkoku. Girlfriend, Girlfriend is the exact opposite of that. It is a series based on the fundamental premise of “What if people were maybe just a little too open and direct?”
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Saturn 3 feels like a film coming off of the environmental dystopia films of the 1970s – like Silent Running – combined with a bit of horror. However, having a cast smaller than that of Alien – just 3 actors – ultimately ends up working against the film.
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It Came From Beneath The Sea is the kind of giant monster movie I can enjoy mostly guilt free. No appliances glued or stapled onto animals – just good old fashioned, cruelty-free Ray Harryhausen stop-motion. It’s how Willis O’Brian did it – it’s how the movie industry had done, and at that point in the ‘50s it had worked pretty well so far.
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