Posted on by Alexander Case

Film Review: Humanoids From The Deep

Roger Corman is widely recognized as a producer who launched the careers of numerous writers, actors, and future directors. He’s also widely recognized as a producer who churned out numerous exploitation films of a wide variety of stripes almost like clockwork, on the cheap, and without much concern about the craft.

This leads to the problems with Humanoids from the Deep. Part of this film is a very well done horror creature feature, with incredibly suspensefully shot sequences, and is a film that is willing to straight up kill off a kid and several dogs very early in the film. It’s also a film where Roger Corman decided to fire the film’s original director, Barbara Peeters, because he wanted the film’s rape scenes to be more explicit – so he handed those sequences off to the second unit director, and the film is lesser because of this. Read more

Posted on by Alexander Case

Film Review: Electric Dragon 80,000V

It’s been a while since I watched what I’d call a “Weird Japan” movie – a Japanese film with a degree of creativity and un-reality that is uncommon in Western cinema – and indeed is generally rejected outright in Western independent cinema (see Dogme ’95 and Ethan Hawke’s comments about superhero films). Instead, these films openly embrace science fiction, fantasy, and horror concepts in a way that Western independent cinema (outside of horror) fails to do.

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Posted on by Alexander Case

Anime Review: Holmes of Kyoto

Invoking the name of Sherlock Holmes sets a lot of expectations for a series. It sets the expectations that your series is going to be a mystery series, where the way the mysteries will be solved will be through the detective using deductive reasoning and through keen powers of observation – and also that the detective will have an audience-perspective sidekick who is intelligent and perceptive, but not as much as the detective. Holmes of Kyoto is, occasionally, that. However, just as much of the time, it’s a relationship drama, and not necessarily a well-executed relationship drama. Read more

Posted on by Alexander Case

Film Review: The Visitor (1979)

The Visitor is a very different animal where Italian horror films are concerned. It’s not a giallo or an offshoot of giallo like The Black Cat or Argento’s Three Mothers series. It’s not a zombie film at the least. I’d describe it as fitting closer to Italian Satanic horror films – films inspired by or seeking to mimic Rosemary’s Baby, The Exorcist, The Omen, and other similar films. These films rely less on plot cohesion and more on mood and tone. It doesn’t quite matter if the motivations of the characters are clearly spelled out or the narrative beats are coherent so long as the emotional beats are. Read more

Posted on by Alexander Case

Film Review: Altered Space

Altered Space is something of a horror film that isn’t quite a horror film. In a way, it’s difficult to describe – this is my first time watching a film by Ken Russell, but his reputation has preceded him. Specifically, his reputation for psychedelic, religious, and psychosexual imagery. All of those things are present in Altered Space in spades – with subject matter that is fundamentally horrific but is never presented in that manner. Read more

Posted on by Alexander Case

Film Review: Mother of Tears (2007)

Almost 20 years after Dario Argento released the middle installment of his “Three Mothers Trilogy” he made the final installment of the series – Mother of Tears. As with most series that take this long between installments, there is a sense that what you’ll get with the final installment can never live up to what expectations you’ve set for it. However, even then, Mother of Tears is particularly disappointing. Read more

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DVD Review: Cheezy Horror – Vol. 1

One of the interesting things I like about the boom of interest in Exploitation film after Grindhouse, along with the rise of DVDs as a media format is the rise of the Trailer DVD – a DVD chock full of trailers for various exploitation films from the 1950s, ’60s, and ’70s. They make for a great snapshot of a moment in time, showcasing both how films were sold (and what you could get away with in trailers), along with the movies being sold. Read more

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Film Review: Don’t Breathe

One of the issues with modern horror films, particularly those with a human antagonist, is the filmmakers feel the need to give a grounding to their villain’s methods that they feel believable, and they have the same need to make the protagonists just unlikeable enough that when bad things happen to them, things don’t feel overly cruel. The problem is that when this goes wrong it comes across to a degree like victim-blaming – and leads to a toxic message like the one put forward in your standard ’80s slasher film. Don’t Breathe manages to avoid that – barely. This review will contain a few spoilers. Read more

Posted on by Alexander Case

Movie Review: Inferno (1980)

Suspiria was what I’d describe as one of the best films Dario Argento ever made, with a tremendous visual esthetic, particularly through the use of color in the film, combined with the excellent score by Goblin. So, it’s not surprising that Dario made a semi-spiritual sequel. The second film, Inferno, introduced the thematic series that Argento named “The Three Mothers” trilogy, with the films based around three witches drawn from Thomas De Quincey’s Suspiria de Profundis. Inferno aims to basically be “like Suspiria but more so,” but it doesn’t quite work. Read more

Posted on by Alexander Case

Anime Review: Record of Grancrest War

One of my favorite works of anime fantasy is Record of Lodoss War. It’s a show that I try to watch at least once a year, and due to my appreciation of that, I’ve sought out the various works by its creator, Ryo Mizuno, which have gotten a US release, from the Lodoss series onwards. In any case, when Record of Grancrest War was announced, and that even more it was related to a tabletop RPG that Mizuno had created, I was definitely onboard to check this out.

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